Women Horror

In the deep woods of East Texas, Henry supports his family by selling bootleg liquor. It's all he can do to keep his compassionate but ailing mother and his stepfather - a fanatical grassroots minister with a bruising rhetoric - from ruin. But they have no idea they've become the obsession of the girl in the woods. Andoned and nearly feral, Eve has been watching them, seduced by the notion of family - something she's known only in the most brutal sense. Soon she can't resist the temptation to get close.

Althea Bell is still heartbroken by her mother’s tragic, premature death - and tormented by the last, frantic words she whispered into young Althea’s ear: Wait for her. For the honeysuckle girl. She’ll find you, I think, but if she doesn’t, you find her. Adrift ever since, Althea is now fresh out of rehab and returning to her family home in Mobile, Alabama, determined to reconnect with her estranged, ailing father.

While Laurel Gray Hawthorne's life seems neatly on track - a passionate marriage, a treasured daughter, and a lovely home in suburban Victorianna - everything she holds dear is suddenly thrown into question the night she is visited by the ghost of a her 13-year old neighbor, Molly Dufresne.

Psychic M.J. Holliday finds herself in a witchy situation. When M.J. and her friends travel to a small town near Edinburgh, Scotland, to film the first installment of their new cable TV show Ghoul Getters, they find plenty of spooky action in a series of supposedly haunted caverns. But when they discover the body of a maintenance worker, the cause of death is reminiscent of an old legend involving a witch's wrath.

Thirty-four years ago, on October 31, poor Hannah Talbott took part in a scavenger hunt gone violently wrong. The mean girls made sure of it. To this day, for a haunted local mother, the most unsettling Halloween costume of all is an urban legend they call Hannah-Beast. It’s a reminder of the past she can’t forget. Especially tonight when it’s come back, so close to home.

At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in 19th-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it's not long before the assembled students begin to manifest bizarre symptoms: Rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken.

Aspiring author Graye Templeton will do anything to escape the horrific childhood crime that haunts her. After a life lived in shadows, she’s accepted a new job as protégé to Laura West, influential book blogger and wife of an acclaimed novelist. Laura’s connections could make Graye’s publishing dreams a reality. But there’s more to Laura than meets the eye. Behind the veneer of a charmed life, Laura’s marriage is collapsing. Her once-lauded husband is descending into alcoholism and ruin and bringing Laura nearer to the edge.

For generations, the Lenore women have manufactured a fragrance unlike any other. Hidden in the quiet rolling hills of the Blue Ridge Mountains, their perfumery guards unique and mysterious ingredients. A secret known only to a select clientele of movie stars, politicians, artists, and CEOs, the Lenores' signature elixir is the key to success for the world's most powerful women. Capturing the essence of sisterhood with the sweetness of flowers, Season of the Dragonflies is a beguiling tale of practical magic, old secrets, and new love.

M.J. Holliday and her crew interrupt the frantic schedule of their reality TV show, Ghoul Getters, and hotfoot it to New Mexico, where a dreadful demon is waging tribal warfare. Same Whitefeather - M.J.'s spirit guide - urgently needs her help to stop this evil spirit from wiping out the descendants of his tribe. It doesn't take a psychic to predict that M.J.'s going to have a devil of a time making New Mexico a demon-free zone.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.

Evangeline grows up understanding the extraordinary effects of fragrance. Her grandmother Louise is a gifted aromata, a master of scent-making and perfume. When Eva was a girl, Louise carefully explained that lavender under her pillow would make her dream of the man she would marry; eucalyptus would make her taller; almandine, fatter; and jasmine, Louise promised, would wrap her life in a mystery. When Eva is eighteen, Louise leaves her the ultimate gift - a scent created just for her.

San Francisco contractor Mel Turner is leading a volunteer home renovation project, and while she expects lots of questions from her inexperienced crew, she can't help asking a few of her own - especially about the haunted house next door . . . the place local kids call the Murder House. But when volunteers discover a body while cleaning out a shed, questions pile up faster than discarded lumber.

M.J., Heath, and Gilley are back home in Boston, where their new film is sure to be a monster hit! To promote the film, the studio is sponsoring a special exhibit of supernatural artifacts at a local museum. Unfortunately, Gilley - whose mind is engaged with wedding plans - gets talked into donating to the exhibit the very dagger that keeps the dangerous ghost Oruç and his pet demon locked down in the lower realms. Before M.J. can recover the bewitched blade, there's a murder and a heist at the museum.

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate.

Black Friday - the official opening of the Holiday Shopping Season - and Patrice Marcum is stuck in the middle of her local superstore with a crying infant, a near hysterical desire to just abandon the diapers and milk she desperately needs, and the snowstorm of the century dumping a half-foot of snow on the parking lot outside. She needs a miracle.

After a near fatal car accident, Casey Maldonado's life is over. So she packs up, puts her house on the market, and leaves town, her only companion Death, who won't take her but won't leave her alone.

The house is historic, some say haunted. It is also slated to be razed and replaced by condos, unless Hannah Smith can do something about it. She's been hired by a wealthy Palm Beach widow to prove that the house's seller didn't disclose everything he knew about the place when he unloaded it, including its role in a bloody Civil War skirmish (in which two of Hannah's own distant relations had had a part), and the suicides - or were they murders? - of two previous owners.

Lila Grace Carter talks to dead people. Admittedly, that's not out of the ordinary in Lockhart, South Carolina. In her words, "I'm Southern. We all talk to dead people down here. As a matter of fact, I don't believe I can truly trust anybody that doesn't speak to at least two or three dead relations on a daily basis. The difference is, they talk back to me." Now there's a murderer on the loose in Lockhart, and Lila Grace is the only one who knows a crime was committed. Can she convince the sexy sheriff that Jenny Miller didn't fall down the steps on her own? Will she catch the killer?

Since the publication of his first novel 30 years ago, Don DeLillo has lived in the skin of our times. He has found a voice for the forgotten souls who haunt the fringes of our culture and for its larger-than-life real figures. The Body Artist is DeLillo's haunting and profoundly moving new novel.

A new husband and a new house. Just as well, because Zoe doesn't like old. Back in the 1960s, this house was built to look ultra-modern, with lots of glass and sharp angles. And it was going cheap, perhaps because of the self-inflicted death of a previous owner – notoriously bloody and prolonged.