Women Horror

London, 1754. Six years after leaving her illegitimate newborn at the Foundling Hospital, Bess Bright returns to reclaim the daughter she has never known. Dreading the worst, that she has died in care, she is astonished to discover someone pretending to be Bess has already claimed her. Her life is turned upside-down as she tries to find out who has taken her little girl - and why.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

Eternal Rest Bed and Breakfast seems quiet after Emily Buchanan sends the resident ghosts on a mission to find her late husband’s spirit. When she begins hearing strange noises, Emily doesn’t think it can be paranormal. After all, there are no ghosts left in the Victorian mansion. Right? But Emily realizes she bought more than a mirror, when she finds herself face-to-face with a ghost trapped inside it. The ghost’s story leads Emily to a historic mansion, wreathed in mystery for years. And someone among the living desperately wants them to give up the search for clues.

Harriet Hunt is completely alone. Her father disappeared months ago, leaving her to wander the halls of Sunnyside house, dwelling on a past she’d rather keep buried. She doesn’t often venture beyond her front gate, instead relishing the feel of dirt under her fingernails and soft moss beneath her feet. Consequently, she’s been deemed a little too peculiar for popular Victorian society. This solitary life suits her fine though—because outside, magic awaits.

London, 1765. Lady Isabella Gerard, a respectable member of Georgian society, orders her maid to take her new golden gown and destroy it, its shimmering beauty tainted by the actions of her brutal husband the night before. Three months later, Lord Gerard stands at the shoreline of the lake, looking down at a woman wearing the golden gown. As the body slowly rolls over to reveal her face, it’s clear this was not his intended victim…

There are places on earth where nature’s powers gather. Girls raised there are bequeathed strange gifts. A few have powers so dark that they fear to use them. Such a place is Wild Hill, on the tip of Long Island. For centuries, the ghost of a witch murdered by colonists claimed the beautiful and fertile Wild Hill…until a young Scottish woman with strange gifts arrived. Sadie Duncan was allowed to stay.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

We're the D'Artigo sisters: Half-human, half-Faerie, we are savvy - and sexy - operatives for the Otherworld Intelligence Agency. But our mixed-blood heritage short-circuits our talents at all the wrong times. My sister Delilah shapeshifts into a tabby cat whenever she's stressed. Menolly's a vampire who is still trying to get the hang of being undead. And me? I'm Camille - a wicked-good witch. Except my magic is as unpredictable as the weather, which my enemies are about to find out the hard way.

Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer. But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing.

It’s a club like no other. Only the most important women receive an invitation. But one daring young reporter is about to infiltrate this female-run secret society, whose bewitching members are caught up in a dark and treacherous business. From the author of Happy and You Know It.

All Susannah Simon wants is to make a good impression at her first job since graduating from college (and since becoming engaged to Dr. Jesse de Silva). But when she's hired as a guidance counselor at her alma mater, she stumbles across a decade-old murder, and soon ancient history isn't all that's coming back to haunt her. Old ghosts as well as new ones are coming out of the woodwork, some to test her, some to vex her, and it isn't only because she's a mediator gifted with second sight.

After a devastating loss, Brynn Wilder escapes to Wharton, a tourist town on Lake Superior, to reset, and checks into a quaint boardinghouse. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos. But in this inviting refuge, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t.

London,1925. Scotland Yard Detective Inspector Devenand Hunter finds himself in the middle of a series of upper-class deaths in London. Bright young people are being extinguished in their favorite night spots, from a sleazy private jazz club to the Savoy ballroom. Dev knows just the person to help him navigate the treacherous society waters: Lady Adelaide Compton, a marquess's daughter and widow of a Great War hero. Unfortunately, he has put her in jeopardy once before, nearly leading him to turn in his warrant card.

Cat lives in Los Angeles, far from 36 Westeryk Road, the imposing gothic house in Edinburgh where she and her estranged twin sister, El, grew up. As kids, they invented Mirrorland, a dark, imaginary place under the pantry stairs, full of pirates, witches, and clowns. These days, Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband, Ross. But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which hasn’t changed in twenty years.

In Metsan Valo, her family home on Lake Superior, Anni Halla’s beloved grandmother has died. Among her fond memories, what Anni remembers most vividly is her grandmother’s eerie yet enchanting storytelling. By firelight she spun tall tales of spirits in the nearby forest and waters who could heal - or harm - on a whim. But of course those were only stories.

Students are spooked at the San Francisco School of Fine Arts, and Lily is called in to search for possible paranormal activity. In return she's been promised a trunkful of Victorian-era clothes recently discovered in a school storage closet. But Lily finds something else: the body of a wealthy patron of the school. In between running the store and seeing her new boyfriend, Max - a "mythbuster" who is uncomfortable with her witchcraft - she uses her sleuthing skills to try to solve the murder. Soon Lily senses something from the school's vintage clothes, but it's not the smell of mothballs - it's the unmistakable aura of evil intent.

The Night Watchman is ready to kill - again. After 35 years in prison, he is free to commit the same twisted atrocities that once made him as notorious as the Zodiac Killer and Jack the Ripper. Now, at last, his moment has come. Through her television appearances, renowned clairvoyant Lucinda Sloan helps police capture America's most wanted. Unfortunately, she's also captured the eye of the Night Watchman. Once he learns that Sloan "sees" his crimes, it's time to play.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

With his marriage on the rocks and his life in shambles, washed-up true-crime writer Lucas Graham is desperate for a comeback, one more shot at the best-selling success he once enjoyed. His chance comes when he's promised exclusive access to death row inmate Jeffrey Halcomb, the notorious cult leader and mass murderer who's ready to break his silence after 30 years, and who contacted Lucas personally from his maximum-security cell.

Crossover sensation Melissa de la Cruz created an instant New York Times best seller with the inventive Witches of East End. In this follow-up, everything is going smoothly in North Hampton now that Joanna and her daughters, Ingrid and Freya, are allowed to perform magic again. But chaos erupts with the arrival of Freya’s twin brother, Freddie, who’s finally escaped from Limbo. And Freddie’s convinced that Freya’s fiancé, Killian Gardiner, is the one who landed him there in the first place.