Women Horror

Like any enterprising woman, Bea knows what she’s worth and is determined to get all she deserves—it just so happens that what she deserves is to marry rich. Filthy rich. After years of forced instruction by her mother in the art of swindling men, a now-solo Bea wants nothing more than to close and lock the door on their sordid partnership so she can disappear safely into old-money domesticity, sealing the final phase of her escape. When Bea chooses her ultimate target in the fully loaded, thoroughly dull and blue-blooded Collin Case, she’s ready to deploy all of her tricks one last time.

Always up for trying something new, Kath and her friends from the fiber and needlework group TGIF - Thank Goodness It's Fiber - are visiting Cloud Hollow Farm for the day to learn the fine art of dyeing. With spring in the air, the friends head out to greet the sheep. But the sheep are more interested in something else - two bodies spread under a tall tree. And one of those bodies is someone they know. Kath's friends nudge her to investigate.

Crossover sensation Melissa de la Cruz created an instant New York Times best seller with the inventive Witches of East End. In this follow-up, everything is going smoothly in North Hampton now that Joanna and her daughters, Ingrid and Freya, are allowed to perform magic again. But chaos erupts with the arrival of Freya’s twin brother, Freddie, who’s finally escaped from Limbo. And Freddie’s convinced that Freya’s fiancé, Killian Gardiner, is the one who landed him there in the first place.

In 1991, Heather Cole and her friends were members of the Dead Girls Club. Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real - and she could prove it. That belief got Becca killed.

Hamming it up with equal parts history and histrionics, Phillip leads an archaeological dig of the farm's original dump site - until one student stops the show by uncovering some human bones. When a full skeleton is later excavated, Kath can't help but wonder if it's somehow connected to Geneva, the ghost who haunts her shop, and whom she met at this very site. After Phillip is found dead, it's up to Kath to thread the clues together before someone else becomes history.

It's time for Blue Plum's annual historical festival, and everyone-including Kath and her spunky fiber and needlework group, TGIF-is getting in on the action. Expert spinners are being gathered, and a businessman has approached Kath about using the second-floor windows of her store for part of a reenactment. But the reenactment ends in real-life bloodshed when local baker Reva Louise Snapp is shot-with a bullet from a modern-day gun.

Idyllic Avril Island, owned by the Bennett family, is where their hundred-year-old cottage sat nestled in acres of forest. Forty-year-old June Bennett believed that the island had been sold after the summer of her father's disappearance when she was only 12 years old. It's months after the shocking death of her older sister, May, in a fatal car accident that June finds out that the cottage was never sold. Avril Island is still owned by the Bennett family, and now it's hers. Still reeling from the grief of losing her sister, June travels back to Avril Island in search of answers.

The Fairy Bargain of Prospect Hill meets The Magician’s Daughter in THE PECULIAR GARDEN OF HARRIET HUNT, a story about a lonely young woman with only her magic garden for company; but when she becomes implicated in her father’s disappearance and her mysterious new husband wants to take what isn't his, she must use the magic of her beloved creeping ivy and thorny roses to end the cycle of abusive men in her life—because a woman who takes back her power is pure magic.

With her extended maternity leave at its end, Melanie Trenholm is less than thrilled to leave her new husband and beautiful twins to return to work, especially when she’s awoken by a phone call with no voice on the other end—and the uneasy feeling that the ghostly apparitions that have stayed silent for more than a year are about to invade her life once more. But her return to the realty office goes better than she could have hoped, with a new client eager to sell the home she recently inherited on South Battery.

Taking a night off from running her successful San Francisco clothing store, Lily attends a local art deco ball where vintage fashions steal the show. But when a young woman at the event falls under a mysterious sleeping sickness, Lily senses that a curse was placed on the woman's corsage. Before Lily can solve the woman's magical ailment, she's asked to assist in investigating a string of poisonings in the Bay Area witchcraft community.

Connie Goodwin is an expert on America’s fractured past with witchcraft. A young, tenure-track professor in Boston, she’s earned career success by studying the history of magic in colonial America - especially women’s home recipes and medicines - and by exposing society's threats against women fluent in those skills. But beyond her studies, Connie harbors a secret: She is the direct descendant of a woman tried as a witch in Salem, an ancestor whose abilities were far more magical than the historical record shows.

Melanie is only going through the motions of living since refusing Jack Trenholm’s marriage proposal. When she is roused one night by the sound of a ghostly infant crying, she chooses to ignore it. She simply does not have the energy to deal with one more crisis. That is, until the remains of a newborn buried in an old christening gown are found hidden in the foundation of her house. As the hauntings on Tradd Street slowly become more violent, Melanie decides to find out what caused the baby’s untimely death.

Seventeen-year-old Lorelei Patio is the adopted daughter of 200-year-old vampire Sergio Patio. She never realized why her family has had to move so often or why she is not permitted to get too friendly with other young people. In fact, except for one shocking moment that seemed more like a dream, Lorelei never fully realized who and what her father was nor what her sisters were brought up to do for him. But one day, that all changed.

Just when I thought it was safe to step onto my porch, the power of the Oracle has sent another person in need to my stairs. He thinks he's searching for his missing husband, but the moment I smell him, I know he's dragging along a curse from a necromancer with a stench strong enough to curl the leg hairs I haven't had time to shave. Which reminds me—I should probably do some grooming before my date. Did I mention I have an arraignment in court? For murder? It's all I can do to put this legal nonsense to bed before the rotten bouquet of necromancy wafts into my world yet again.

2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother - the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice - until she is punished for using it.

London,1925. Scotland Yard Detective Inspector Devenand Hunter finds himself in the middle of a series of upper-class deaths in London. Bright young people are being extinguished in their favorite night spots, from a sleazy private jazz club to the Savoy ballroom. Dev knows just the person to help him navigate the treacherous society waters: Lady Adelaide Compton, a marquess's daughter and widow of a Great War hero. Unfortunately, he has put her in jeopardy once before, nearly leading him to turn in his warrant card.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

Pebble Cove is not the sleepy coastal town Rosemary remembers from her childhood. Ghosts are everywhere, and only she can see them. When Rosemary Woodmere inherits her estranged grandmother's Victorian tea house, she doesn’t expect to also inherit a ghost named Asher from the 1920s. Things get weirder for Rosemary. Her grandma was supposedly murdered. A body washes up on the beach, and the police suspect her of the man's murder. She's trying to navigate her newfound ability to talk to ghosts. And she doesn't even know the first thing about tea.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

A man's body is found below a waterfall. It looks like suicide or an accidental drowning – until DI Frannie Bliss enters the dead man's home. What he finds there has him consulting Merrily Watkins, the Diocese of Hereford's official advisor on the paranormal.