Women Horror

While Laurel Gray Hawthorne's life seems neatly on track - a passionate marriage, a treasured daughter, and a lovely home in suburban Victorianna - everything she holds dear is suddenly thrown into question the night she is visited by the ghost of a her 13-year old neighbor, Molly Dufresne.

Psychic M.J. Holliday finds herself in a witchy situation. When M.J. and her friends travel to a small town near Edinburgh, Scotland, to film the first installment of their new cable TV show Ghoul Getters, they find plenty of spooky action in a series of supposedly haunted caverns. But when they discover the body of a maintenance worker, the cause of death is reminiscent of an old legend involving a witch's wrath.

Bailey Ruth Raeburn has always been great at solving mysteries. Why should a little thing like her death change anything? In fact, being dead gives her more of an opportunity to be on top of events. Bailey Ruth is delighted that her unique position as a ghost makes it possible for her to lend a helping hand, sometimes seen and sometimes not. And if anybody needs a little help, it's Kathleen, the pastor's wife. There's a dead man on her porch, and once the body is discovered, the pastor is sure to become a suspect.

Thirty-four years ago, on October 31, poor Hannah Talbott took part in a scavenger hunt gone violently wrong. The mean girls made sure of it. To this day, for a haunted local mother, the most unsettling Halloween costume of all is an urban legend they call Hannah-Beast. It’s a reminder of the past she can’t forget. Especially tonight when it’s come back, so close to home.

At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in 19th-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it's not long before the assembled students begin to manifest bizarre symptoms: Rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken.

Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared - or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. Calliope will be forced to reconcile the geological record with the heritage she once denied.

For generations, the Lenore women have manufactured a fragrance unlike any other. Hidden in the quiet rolling hills of the Blue Ridge Mountains, their perfumery guards unique and mysterious ingredients. A secret known only to a select clientele of movie stars, politicians, artists, and CEOs, the Lenores' signature elixir is the key to success for the world's most powerful women. Capturing the essence of sisterhood with the sweetness of flowers, Season of the Dragonflies is a beguiling tale of practical magic, old secrets, and new love.

M.J. Holliday and her crew interrupt the frantic schedule of their reality TV show, Ghoul Getters, and hotfoot it to New Mexico, where a dreadful demon is waging tribal warfare. Same Whitefeather - M.J.'s spirit guide - urgently needs her help to stop this evil spirit from wiping out the descendants of his tribe. It doesn't take a psychic to predict that M.J.'s going to have a devil of a time making New Mexico a demon-free zone.

Evangeline grows up understanding the extraordinary effects of fragrance. Her grandmother Louise is a gifted aromata, a master of scent-making and perfume. When Eva was a girl, Louise carefully explained that lavender under her pillow would make her dream of the man she would marry; eucalyptus would make her taller; almandine, fatter; and jasmine, Louise promised, would wrap her life in a mystery. When Eva is eighteen, Louise leaves her the ultimate gift - a scent created just for her.

When her friend Alicia hires Turner Construction to renovate a historic lighthouse in the San Francisco Bay, Mel Turner can't wait to get her hands dirty. But trouble soon arises when Alicia's abusive ex-husband shows up to threaten both her and Mel, and later turns up dead at the base of the lighthouse stairs. With no other suspects in sight, things start looking choppy for Alicia. Now, if Mel wants to clear her friend's name, she'll need the help of the lighthouse's resident ghosts to shine a light on the real culprit....

San Francisco contractor Mel Turner is leading a volunteer home renovation project, and while she expects lots of questions from her inexperienced crew, she can't help asking a few of her own - especially about the haunted house next door . . . the place local kids call the Murder House. But when volunteers discover a body while cleaning out a shed, questions pile up faster than discarded lumber.

M.J., Heath, and Gilley are back home in Boston, where their new film is sure to be a monster hit! To promote the film, the studio is sponsoring a special exhibit of supernatural artifacts at a local museum. Unfortunately, Gilley - whose mind is engaged with wedding plans - gets talked into donating to the exhibit the very dagger that keeps the dangerous ghost Oruç and his pet demon locked down in the lower realms. Before M.J. can recover the bewitched blade, there's a murder and a heist at the museum.

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate.

On the eve of her father’s wedding, Lady Evangeline, heir to the Ravenhill family name, comes across a secret book that changes everything. Catapulted into the world of the occult, she must unravel the many threads of mystery behind her unstable mother’s suspicious death.

Black Friday - the official opening of the Holiday Shopping Season - and Patrice Marcum is stuck in the middle of her local superstore with a crying infant, a near hysterical desire to just abandon the diapers and milk she desperately needs, and the snowstorm of the century dumping a half-foot of snow on the parking lot outside. She needs a miracle.

Do not stand at my grave and weep; I am not there. I do not sleep. There is nothing more powerful than a mother's love. Five years ago Molly Gabriel lost her twenty-year-old son, Joey, to a terrible sailing accident. His empty boat was washed ashore on the rocks, but his body was never found. Now Molly has returned to the sands of Cornwall, haunted by his disappearance, unable to accept he is gone. Joey was an experienced sailor and died on a calm sea--things just don't add up, and Molly cannot let it go.

Fire. Every creature fears it. Except one. When a call late one evening leads Jane to Buckingham Palace, she holds no concern the dragon they want her to investigate is real. Until she gets there, that is.

For the first time, the untold story of the three women closest to Victor Frankenstein is revealed in a dark and sweeping reimagining of Frankenstein by the acclaimed author of The Lost History of Dreams and Doomed Queens. Unnatural Creatures shocks new life into Mary Shelley's beloved gothic classic by revealing the feminine side of the tale.

After a near fatal car accident, Casey Maldonado's life is over. So she packs up, puts her house on the market, and leaves town, her only companion Death, who won't take her but won't leave her alone.

Lila Grace Carter talks to dead people. Admittedly, that's not out of the ordinary in Lockhart, South Carolina. In her words, "I'm Southern. We all talk to dead people down here. As a matter of fact, I don't believe I can truly trust anybody that doesn't speak to at least two or three dead relations on a daily basis. The difference is, they talk back to me." Now there's a murderer on the loose in Lockhart, and Lila Grace is the only one who knows a crime was committed. Can she convince the sexy sheriff that Jenny Miller didn't fall down the steps on her own? Will she catch the killer?