Women Horror

The Grimes sisters aren’t normal—even by witches’ standards. For weeks, Fiona has been having chilling visions of death, and Eleanor sees restless spirits nearly everywhere she goes. It doesn’t help that Mountain Shadow is a strange place to begin with, where rumors of curses fly as fast as saltwater taffy on a warm summer day. When a string of gruesome murders rocks the small town, Fiona and the rest of her coven begin to worry that a fellow witch may be the killer. Even worse? A witch hunter has just moved in next door, and he suspects the coven.

Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure—someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic summer of 1989, at Vanes—a mysterious West Country manor house—where a young girl, Jane Lestrange, arrives to stay with the gilded, grand Hunter family, and where a devastating tragedy will unfold.

Emmie just wants to get as far away from her psychic past as possible. Who can blame her? Seeing dead children isn’t a “gift". It's heartbreaking terror. But once she loses her job in the big city, there’s only one place for her to go: back into the heart of her trauma and fears. Her childhood home. Hanging House. Determined to make the best of her new life, she soon realizes she can’t outrun the ghosts of her past. She needs to face and conquer the looming darkness, or she won’t get out alive.

Kali Māhoe, Hawaiian cultural expert and detective with the Maui Police Department, has been called to a bizarre crime scene. In the recesses of a deep trench on Lana'i Island, a derelict refrigerator has been unearthed. Entombed inside are the skeletal remains of someone buried decades ago. Identification is a challenge. The body is headless, the skull replaced with a chilling adornment: a large, ornately carved wooden pineapple.

Ambrosio, the worthy superior of the Capuchins of Madrid, falls to the temptations of Matilda, a fiend-inspired wanton who, disguised as a boy, has entered his monastery as a novice. Ambrosio then falls in love with one of his penitents and finally kills her in order to escape detection. However, he is discovered, tortured by the Inquisition and sentenced to death.

A new husband and a new house. Just as well, because Zoe doesn't like old. Back in the 1960s, this house was built to look ultra-modern, with lots of glass and sharp angles. And it was going cheap, perhaps because of the self-inflicted death of a previous owner – notoriously bloody and prolonged.

Lena wants her life back. Her wealthy, controlling, humorless husband has just died, and now she contends with her controlling, humorless son, Drew. Lena lands in Naxos with her best friend in tow for the unveiling of her son's, pet project—the luxurious Agape Villas. Years of marriage amongst the wealthy elite has whittled Lena's spirit into rope and sinew, smothered by tasteful cocktail dresses and unending small talk.

The new Sissy Sawyer adventure - The discovery of a murdered office worker in the elevator of a condemned building sets in motion a chain of events that will make the streets of Cincinnati run with blood. Police artist Molly and her alternative, chain-smoking, fortune-telling mother-in-law, Sissy Sawyer, become inextricably involved. Sissys tarot cards seem to be offering her clues, if only she can decipher them in time....

The house is historic, some say haunted. It is also slated to be razed and replaced by condos, unless Hannah Smith can do something about it. She's been hired by a wealthy Palm Beach widow to prove that the house's seller didn't disclose everything he knew about the place when he unloaded it, including its role in a bloody Civil War skirmish (in which two of Hannah's own distant relations had had a part), and the suicides - or were they murders? - of two previous owners.

Joyce Carol Oates assembles an outstanding cast of authors—including Margaret Atwood, Tananarive Due, and Megan Abbott—to explore, subvert, and reinvent one of the most vital subgenres of horror.

From scream queens to femmes fatale, horror isn’t just for the boys. Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters, and cohosts of the Horror Rewind podcast called “the best horror film podcast out there” by Film Daddy, present a guide to the feminist horror movies, TV shows, and characters we all know and love. Through interviews, film analysis, and bone-chilling discoveries, The Science of Women in Horror uncovers the theories behind women’s most iconic roles of the genre.

Women write horror and have written it since before Mary Shelley wrote Frankenstein. This anthology highlights the fact that women write great horror and kills the fallacy that they aren't in some way up to standard. They are. Hear stories by Elizabeth Massie, Nina Kiriki Hoffman, Lucy Taylor, and a plethora of other great writers as they work on your nerves, get inside your head, and bang out some of the scariest tales written today. Lock the door and windows, put on a light, and remember, it's not real.

Having only three months for Arianta to write her new book and then satisfy her insatiable cravings, things quickly spiral out of control as Katherine's heart grows bigger than her stomach, blurring the lines between predator and prey. Will Katherine be able to battle her internal moral compass and the challenges that arise, or will her reign of terror finally come to an end, not at the hands of the authorities, but by those closest to her?

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

On the morning of her 25th birthday, Abi awakes to a strange voice in her bedroom, not knowing it is the voice of her long-dead Victorian ancestor, Katrina. Receiving messages and haunting visions that put her life in danger, she takes on the help of her neighbour and childhood friend Ben, paranormal investigator Jack and his partner Luna, who just so happens to be a witch. Join Abi on her journey to Blue Waters Asylum, where she learns the truth about Katrina's horrific death and the family she had lost, all because of one woman's jealousy.

Yorkshire. 1649. Caragh has hidden her true name and her Irish identity, and since her family fled Ireland in secret they have been proud to own land of their own in England. But one morning, Caragh’s father tells her that they must leave their beloved home as it is no longer safe for them to stay. That morning, Caragh hears shots fired. When she returns to the cottage, she finds her family murdered by Lemuel Lane, a wealthy Protestant who has taken it upon himself to rid the area of anyone with Catholic sympathies.

In nine spooky tales, Alison Lurie writes of women haunted by ghosts both literal and metaphorical: A woman about to marry Mr. Right is visited by the spirit of his first wife; a dead fiancé haunts a foreign service officer every time she has an intimate moment with another man; the ghost of a girl in a Halloween costume disconcerts the perfect housewife.

Finn is devastated. Struggling to reconcile with his mother at his father’s funeral in Southern California, Emmie and the gang do their best to support him. But after his father’s ghost warns them of a legendary curse, the truth is undeniable and heartbreaking: his death was anything but natural. Still reeling from his brother’s suicide two years earlier, Finn seeks answers at his Godfather’s historic Raven House Vineyard and home to his childhood playground—a decaying Spanish mission called “the ruins.”

Adrian and Delanie Michaels need a new beginning in their marriage. Old grievances have almost buried them. To begin again, they need new scenery. They need a new environment for themselves and their young son, Trey. They never imagined they would be able to afford a home the size of the two-story Victorian they find in an older, upscale Colorado neighborhood. They know the home is newer than those around it, and they know this is because the original home on the site burned to the ground.

Reverend Annabelle Dixon, a madcap vicar with a taste for sweets and a nose for crime, has agreed to fill in for the local minister on the tiny Scottish island of Blodraigh. For Annabelle, it’s a chance to get away and spend some time with her brother and young niece who live on the storm-swept island.