Women Horror

At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in 19th-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it's not long before the assembled students begin to manifest bizarre symptoms: Rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken.

Bailey Ruth loves to return to earth as an emissary from Heaven's Department of Good Intentions. Problem is, she's a bit of a loose cannon as far as ghosts go - forgetting to remain invisible, alarming earthly creatures - so she's far from the top of department head Wiggins's go-to list for assignments.

When you wish upon a star, you get...Bailey Ruth? You do if you're a little girl whose mom needs help and you touch the soft heart of Supervisor Wiggins at Heaven's Department of Good Intentions. Granted it's not the usual task of an emissary, but then again Bailey Ruth is not your usual emissary. So Wiggins dispatches the spunky spirit to her old hometown of Adelaide, Oklahoma, to help a single mother and struggling writer find some creative solutions to her problems.

With all the ghosts that haunt her at this time of year, Carly doesn't exactly rush to celebrate Halloween. Even a costume ball organized by her boyfriend Dylan's mother, Patricia Davis Jackson, holds little allure. But to please Dylan, who wants peace between the two women, Carly reluctantly agrees to go.

Emmie just wants to get as far away from her psychic past as possible. Who can blame her? Seeing dead children isn’t a “gift". It's heartbreaking terror. But once she loses her job in the big city, there’s only one place for her to go: back into the heart of her trauma and fears. Her childhood home. Hanging House. Determined to make the best of her new life, she soon realizes she can’t outrun the ghosts of her past. She needs to face and conquer the looming darkness, or she won’t get out alive.

Kali Māhoe, Hawaiian cultural expert and detective with the Maui Police Department, has been called to a bizarre crime scene. In the recesses of a deep trench on Lana'i Island, a derelict refrigerator has been unearthed. Entombed inside are the skeletal remains of someone buried decades ago. Identification is a challenge. The body is headless, the skull replaced with a chilling adornment: a large, ornately carved wooden pineapple.

New Hampshire, 1865. Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder. Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief. Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.

Ambrosio, the worthy superior of the Capuchins of Madrid, falls to the temptations of Matilda, a fiend-inspired wanton who, disguised as a boy, has entered his monastery as a novice. Ambrosio then falls in love with one of his penitents and finally kills her in order to escape detection. However, he is discovered, tortured by the Inquisition and sentenced to death.

Lena wants her life back. Her wealthy, controlling, humorless husband has just died, and now she contends with her controlling, humorless son, Drew. Lena lands in Naxos with her best friend in tow for the unveiling of her son's, pet project—the luxurious Agape Villas. Years of marriage amongst the wealthy elite has whittled Lena's spirit into rope and sinew, smothered by tasteful cocktail dresses and unending small talk.

The new Sissy Sawyer adventure - The discovery of a murdered office worker in the elevator of a condemned building sets in motion a chain of events that will make the streets of Cincinnati run with blood. Police artist Molly and her alternative, chain-smoking, fortune-telling mother-in-law, Sissy Sawyer, become inextricably involved. Sissys tarot cards seem to be offering her clues, if only she can decipher them in time....

Joyce Carol Oates assembles an outstanding cast of authors—including Margaret Atwood, Tananarive Due, and Megan Abbott—to explore, subvert, and reinvent one of the most vital subgenres of horror.

From scream queens to femmes fatale, horror isn’t just for the boys. Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters, and cohosts of the Horror Rewind podcast called “the best horror film podcast out there” by Film Daddy, present a guide to the feminist horror movies, TV shows, and characters we all know and love. Through interviews, film analysis, and bone-chilling discoveries, The Science of Women in Horror uncovers the theories behind women’s most iconic roles of the genre.

Six months ago, Charlotte almost lost everything. Now, she’s determined to keep her daughter, Elle, safe. So when local girls close to Elle in age and appearance begin to go missing, it’s her worst nightmare. Charlotte’s fears are confirmed when a frantic search becomes a shocking murder investigation. The girls’ bodies have been found - half-buried, and with traces of mud and wildflowers under their fingernails. As Charlotte’s obsession with keeping her daughter close pushes her marriage to the brink, local DI Madeleine Wood embarks on a gruelling search for the killer.

Women write horror and have written it since before Mary Shelley wrote Frankenstein. This anthology highlights the fact that women write great horror and kills the fallacy that they aren't in some way up to standard. They are. Hear stories by Elizabeth Massie, Nina Kiriki Hoffman, Lucy Taylor, and a plethora of other great writers as they work on your nerves, get inside your head, and bang out some of the scariest tales written today. Lock the door and windows, put on a light, and remember, it's not real.

Having only three months for Arianta to write her new book and then satisfy her insatiable cravings, things quickly spiral out of control as Katherine's heart grows bigger than her stomach, blurring the lines between predator and prey. Will Katherine be able to battle her internal moral compass and the challenges that arise, or will her reign of terror finally come to an end, not at the hands of the authorities, but by those closest to her?

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

On the morning of her 25th birthday, Abi awakes to a strange voice in her bedroom, not knowing it is the voice of her long-dead Victorian ancestor, Katrina. Receiving messages and haunting visions that put her life in danger, she takes on the help of her neighbour and childhood friend Ben, paranormal investigator Jack and his partner Luna, who just so happens to be a witch. Join Abi on her journey to Blue Waters Asylum, where she learns the truth about Katrina's horrific death and the family she had lost, all because of one woman's jealousy.

Yorkshire. 1649. Caragh has hidden her true name and her Irish identity, and since her family fled Ireland in secret they have been proud to own land of their own in England. But one morning, Caragh’s father tells her that they must leave their beloved home as it is no longer safe for them to stay. That morning, Caragh hears shots fired. When she returns to the cottage, she finds her family murdered by Lemuel Lane, a wealthy Protestant who has taken it upon himself to rid the area of anyone with Catholic sympathies.

Adrian and Delanie Michaels need a new beginning in their marriage. Old grievances have almost buried them. To begin again, they need new scenery. They need a new environment for themselves and their young son, Trey. They never imagined they would be able to afford a home the size of the two-story Victorian they find in an older, upscale Colorado neighborhood. They know the home is newer than those around it, and they know this is because the original home on the site burned to the ground.

Reverend Annabelle Dixon, a madcap vicar with a taste for sweets and a nose for crime, has agreed to fill in for the local minister on the tiny Scottish island of Blodraigh. For Annabelle, it’s a chance to get away and spend some time with her brother and young niece who live on the storm-swept island.