Women Horror

Emmie Wilcox was only six when her sister, Roxy, was thrown out of their New York City apartment. Their stern father's military style left no room for rebellion, and Roxy was continually defiant and rebellious. Emmie is obedient, respectful. Two sisters, total opposites - yet Emmie is secretly obsessed with the mystery and imposed silence surrounding Roxy. She wants excitement, and being a good girl all the time is harder than it seems. Finally, Emmie goes behind her father's back to track down and spy on the sister she can't help but be fascinated with.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

All Susannah Simon wants is to make a good impression at her first job since graduating from college (and since becoming engaged to Dr. Jesse de Silva). But when she's hired as a guidance counselor at her alma mater, she stumbles across a decade-old murder, and soon ancient history isn't all that's coming back to haunt her. Old ghosts as well as new ones are coming out of the woodwork, some to test her, some to vex her, and it isn't only because she's a mediator gifted with second sight.

Emotionally guarded Daphne Amos always believed she’d found a kindred spirit in her fiancé, Heath. Both very private people, they’ve kept their pasts hidden from the world, and each other, until Heath’s escalating nightmares begin to put an undeniable strain on their relationship. Determined to give their impending marriage the best chance of succeeding, Heath insists that Daphne join him on a seven-day retreat with Dr. Matthew Cerny, a psychologist celebrated for getting to the root of repressed memories.

After a difficult detour on her road to adulthood, Nola Trenholm is looking to begin anew in New Orleans, and what better way to start her future than with her first house? But the historic fixer-upper she buys comes with even more work than she anticipated when the house’s previous occupants don’t seem to be ready to depart.

After the end of her marriage, Kate Granger has retreated to her parents' home on Lake Superior to pull herself together - only to discover the body of a murdered woman washed into the shallows. Tucked in the folds of the woman's curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She's seen her before. In her dreams...

Idyllic Avril Island, owned by the Bennett family, is where their hundred-year-old cottage sat nestled in acres of forest. Forty-year-old June Bennett believed that the island had been sold after the summer of her father's disappearance when she was only 12 years old. It's months after the shocking death of her older sister, May, in a fatal car accident that June finds out that the cottage was never sold. Avril Island is still owned by the Bennett family, and now it's hers. Still reeling from the grief of losing her sister, June travels back to Avril Island in search of answers.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

Once the thriving attraction of rural Vermont, the Tower Motel now stands in disrepair, alive only in the memories of Amy, Piper, and Piper's kid sister, Margot. The three played there as girls until the day their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever.

The new vicar had never wanted a picture-postcard parish - or a huge and haunted vicarage. Nor had she wanted to walk into a dispute over a controversial play about a 17th-century clergyman accused of witchcraft...a story that certain long-established families would rather remained obscure. But this is Ledwardine, steeped in cider and secrets...a paradise of cobbled streets and timber-framed houses. And also - as Merrily Watkins and her teenage daughter, Jane, discover - a village where horrific murder is a tradition that spans centuries.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life.

When Eleanor Harper becomes the director of a renowned artists' retreat, she knows nothing of Cliffside Manor's dark past as a tuberculosis sanatorium, a "waiting room for death". After years of covering murder and violence as a crime reporter, Eleanor hopes that being around artists and writers in this new job will be a peaceful retreat for her as much as for them.

After a devastating loss, Brynn Wilder escapes to Wharton, a tourist town on Lake Superior, to reset, and checks into a quaint boardinghouse. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos. But in this inviting refuge, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t.

When Evelyn Eldritch is struck by lightning, she gains more than just a shock to the system—she discovers she's a witch! And so begin the adventures of a novice witch in one quirky village—with a maddeningly handsome policeman and a whole lotta murder, mystery, and magic! Dive into this enchanting four-book boxset, containing loads of paranormal cozy fun today!

Always up for trying something new, Kath and her friends from the fiber and needlework group TGIF - Thank Goodness It's Fiber - are visiting Cloud Hollow Farm for the day to learn the fine art of dyeing. With spring in the air, the friends head out to greet the sheep. But the sheep are more interested in something else - two bodies spread under a tall tree. And one of those bodies is someone they know. Kath's friends nudge her to investigate.

Cat lives in Los Angeles, far from 36 Westeryk Road, the imposing gothic house in Edinburgh where she and her estranged twin sister, El, grew up. As kids, they invented Mirrorland, a dark, imaginary place under the pantry stairs, full of pirates, witches, and clowns. These days, Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband, Ross. But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which hasn’t changed in twenty years.

England, 1917. Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick - but she arrives to discover a house of unease and her sister gripped by fear and suspicion. Before long, strange incidents begin to trouble Stella - sobbing in the night, little footsteps on the stairs - and as events escalate, she finds herself drawn to the tragic history of the house.

It's time for Blue Plum's annual historical festival, and everyone-including Kath and her spunky fiber and needlework group, TGIF-is getting in on the action. Expert spinners are being gathered, and a businessman has approached Kath about using the second-floor windows of her store for part of a reenactment. But the reenactment ends in real-life bloodshed when local baker Reva Louise Snapp is shot-with a bullet from a modern-day gun.

We're the D'Artigo sisters: Half-human, half-Faerie, we are savvy - and sexy - operatives for the Otherworld Intelligence Agency. But our mixed-blood heritage short-circuits our talents at all the wrong times. My sister Delilah shapeshifts into a tabby cat whenever she's stressed. Menolly's a vampire who is still trying to get the hang of being undead. And me? I'm Camille - a wicked-good witch. Except my magic is as unpredictable as the weather, which my enemies are about to find out the hard way.