Women Horror

When Marlow House reopens as a bed and breakfast, one of its first guests is Danielle's former mother-in-law, who Danielle has not talked to since moving to Oregon. The mother-in-law brings with her one of the country's top mediums. Or as Danielle calls him, one of the country's top con-men.

Four bodies have been discovered along Europe’s riverbanks, placed with care—and completely drained of blood. Pinpricks on their throats indicate a slender murder weapon, but DNA found in the wounds suggests something far more sinister. Tasked with investigating, the FBI recruits Agents Della Hamilton and Mason Carter to Blackbird, an international offshoot of the Krewe of Hunters. If you want to catch a vampire killer, you need agents who can speak with the dead.

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community—an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?

Beatrice Bird is plagued by ghosts. It’s a gift she’s had since she was a small child. Unfortunately, it’s a gift that has grown more intense, shifting from flashes and feelings to physical manifestations she can’t escape. In a desperate attempt for relief, Beatrice flees her home, her partner, and a psychology practice in San Francisco for a remote island with only nuns and a few cows for company. She sees as few people as she possibly can. She doesn’t call home. Then she meets Anne Iredale, a timid woman who has lost everything that matters to her.

Melanie Middleton has grown accustomed to renovating old houses, but she never imagined she'd have to renovate her own life to include her estranged mother. Ginnette Prioleau Middleton left Charleston 35 years ago. She's returned wanting to protect the daughter she's never really known after receiving an ominous premonition. Melanie never wanted to see her mother again, but with some prodding from her partner, Jack Trenholm, she agrees. With their combined psychic abilities, they find a vengeful dark spirit whose strength has been growing for decades.

Melanie is only going through the motions of living since refusing Jack Trenholm’s marriage proposal. When she is roused one night by the sound of a ghostly infant crying, she chooses to ignore it. She simply does not have the energy to deal with one more crisis. That is, until the remains of a newborn buried in an old christening gown are found hidden in the foundation of her house. As the hauntings on Tradd Street slowly become more violent, Melanie decides to find out what caused the baby’s untimely death.

Equal parts Dexter and Fifty Shades, this is the eagerly awaited follow-up to the daring erotic thriller The Girl in 6E by A.R. Torre.

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behavior raises suspicions and a woman—especially a Black woman—can find herself on trial for witchcraft.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Emotionally guarded Daphne Amos always believed she’d found a kindred spirit in her fiancé, Heath. Both very private people, they’ve kept their pasts hidden from the world, and each other, until Heath’s escalating nightmares begin to put an undeniable strain on their relationship. Determined to give their impending marriage the best chance of succeeding, Heath insists that Daphne join him on a seven-day retreat with Dr. Matthew Cerny, a psychologist celebrated for getting to the root of repressed memories.

Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her. Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown.

Jewell Parker Rhodes follows up her acclaimed Voodoo Dreams with a present-day mystery surrounding the gifts of an ancestor of the Voodoo Queen. Doctor Marie Levant can't explain why she's drawn to New Orleans, or why it's comforting and unsettling at the same time. And she can't shake her haunting dreams. But when she delivers a dead woman's baby, Marie knows malevolent forces are at work, and it's up to her to stop them.

From the screenwriter of the Lionsgate horror film “The Inhabitant” comes a terrifying tale of survival. Sally and her dog, Maureen Bojangles, MoBo for short, make the slog from Brooklyn to the family cabin upstate. It’s a 2-hour drive from the city, but it might as well be another planet. Twenty-four pharmacies and bass-thumping clubs, are replaced by tiny hamlets and shoddy cell phone service. But the remoteness is what Sally needs to write her memoir and reconnect with the painful memories of her abusive father.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

Five years ago Susannah Harper's son, Joel, went missing without trace. Bereft of her son and then of her husband, Susannah has rebuilt her life around helping others. But then, on the last night of Hull Fair, a fortune-teller makes an eerie prediction. She tells her that this Christmas Eve, Joel will finally come back to her. As her carefully constructed life begins to unravel, Susannah is forced to confront the buried truths of her family's past.

Always up for trying something new, Kath and her friends from the fiber and needlework group TGIF - Thank Goodness It's Fiber - are visiting Cloud Hollow Farm for the day to learn the fine art of dyeing. With spring in the air, the friends head out to greet the sheep. But the sheep are more interested in something else - two bodies spread under a tall tree. And one of those bodies is someone they know. Kath's friends nudge her to investigate.

London, 1754. Six years after leaving her illegitimate newborn at the Foundling Hospital, Bess Bright returns to reclaim the daughter she has never known. Dreading the worst, that she has died in care, she is astonished to discover someone pretending to be Bess has already claimed her. Her life is turned upside-down as she tries to find out who has taken her little girl - and why.

The house called Sunset has been Marcia's summer home for her entire life. Both of her parents died there, and she and her brother spent their youth exploring its rambling hallways and seaside grounds. They love the old house, but Marcia's sister-in-law has never taken to it. Juliette loathes the sea, and soon comes to loathe her husband as well. After they divorce, Juliette pays a final visit to Sunset, demanding alimony. She is there for a few tense days before she disappears. It takes them a week to find her body.

Idyllic Avril Island, owned by the Bennett family, is where their hundred-year-old cottage sat nestled in acres of forest. Forty-year-old June Bennett believed that the island had been sold after the summer of her father's disappearance when she was only 12 years old. It's months after the shocking death of her older sister, May, in a fatal car accident that June finds out that the cottage was never sold. Avril Island is still owned by the Bennett family, and now it's hers. Still reeling from the grief of losing her sister, June travels back to Avril Island in search of answers.