Women Horror

Guesthouse owner, single mother, and reluctant ghost whisperer Alison Kerby is about to sit down to movie night with her family and friends when she's struck speechless. Floating before her is the ghost of her musical idol, 1960s English rock star Vance McTiernan. He's in desperate need of help from Alison and her resident ghostly gumshoe, Paul Harrison.

Just when she thought she'd seen everything... Detective Lieutenant Anita McElone is one of Harbor Haven's finest. She's also a hard-boiled ghost skeptic. So when she shows up on the doorstep of Alison Kerby's Haunted Guesthouse to ask for supernatural help in solving the murder of her former partner, it's hard to tell which woman is more flabbergasted. But McElone is dead serious, so Alison promises to help in any way she can - even asking her resident ghosts, Paul and Maxie, for help with the case.

Upstate New York, 1982. Viv Delaney wants to move to New York City, and to help pay for it she takes a job as the night clerk at the Sun Down Motel in Fell, New York. But something isnʼt right at the motel, something haunting and scary. Upstate New York, 2017. Carly Kirk has never been able to let go of the story of her aunt Viv, who mysteriously disappeared from the Sun Down before she was born. She decides to move to Fell and visit the motel, where she quickly learns that nothing has changed since 1982.

In an all-new novella in E.J. Copperman’s “funny, charming, and thoroughly enjoyable” ( Spinetingler Magazine) series, the storm of the century bears down on the haunted guesthouse, and stirs up a gale of memories for a troubled ghost. Haunted guesthouse owner Alison Kerby may have only recently discovered her ability to communicate with ghosts, but for her mother Loretta, it’s been a lifelong gift.

In 1692, Bridget Bishop was hanged as a witch. Two hundred years later, her legacy lives on in the scions of two very different lines: one dedicated to using their powers to heal and help women in need; the other, determined to grasp power for themselves by whatever means necessary. This clash will play out in the fate of Annis, a young woman in Gilded Age New York who finds herself a pawn in the family struggle for supremacy. She'll need to claim her own power to save herself - and resist succumbing to the darkness that threatens to overcome them all.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader.

Still looking for answers to explain her uncanny ability to see her dead ancestors, Abby shifts her focus to spiritualists, seers, and psychics of all kinds. Meeting them with an open mind - and a healthy dose of skepticism - she wants to know if any of them genuinely share her strange experiences or if they're simply conning gullible people. When she ventures into a series of "readings" given by area psychics, she makes a startling connection that defies even her wildest expectations.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

A rogue master vampire hits town, and Anita gets caught in the middle of an undead turf war. Jean-Claude, the Master Vamp of the city, wants her for his own - but his enemies have other plans. And to make matters worse, Anita takes a hit to the heart when she meets a stunningly handsome junior high science teacher named Richard Zeeman. They're two humans caught in the crossfire - or so Anita thinks.

Only a woman with an iron backbone could succeed as an undertaker in Victorian England, but Violet Morgan takes great pride in her trade. While her husband, Graham, is preoccupied with elevating their station in society, Violet is cultivating a sterling reputation for Morgan Undertaking.

Young Jude Brighton has been missing for three days, and while the search for him is in full swing in the small town of Deer Valley, Oregon, the locals are starting to lose hope. They're well aware that the first 48 hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark's youth, he knows that, too; he's seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.

An intricate tale of love, haunting memories, and renewal, Second Glance begins in current-day Vermont, where an old man puts a piece of land up for sale and unintentionally raises protest from the local Abenaki Indian tribe, who insist it's a burial ground. When odd, supernatural events plague the town of Comtosook, a ghost hunter is hired by the developer to help convince the residents that there's nothing spiritual about the property.

Alison has never been a fan of Christmas. But with it right around the corner and her husband busily decorating their cozy Vermont home, she has no choice but to face it. Then she gets the call. Mavis, Alison’s estranged mother, has been diagnosed with cancer and has only weeks to live. She wants to spend her remaining days with her daughter’s family. But Alison grew up with her mother’s alcoholism and violent abuse and is reluctant to unearth these traumatic memories.

The Woman is the powerful story of the last survivor of a feral tribe of cannibals who have been terrorizing the East Coast - from Maine into Canada - for years now. Badly wounded in a battle with police, a woman takes refuge in a cave overlooking the sea. Christopher Cleek is a slick, amoral - and unstable - country lawyer who, out hunting one day, sees her bathing in a stream. Fascinated, he follows her to her cave. Cleek has many dark secrets and to these he'll add another....

Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention", must solve the mystery of this haunting.

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger”, left by her body, Clare is horrified to see her life collide with the story lines of her favorite literature.

Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theatre director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised—and cost—her everything, she faces a mutinous cast hell-bent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Helen Lambert has lived several lives-a young piano virtuoso in 1890s Paris, an actress in 1930s Hollywood, a rock star in 1970s Los Angeles - only she doesn't know it. Until she meets a strange man who claims he's watched over her for centuries, bound to her from the beginning. At first, Helen doesn't believe him. Her life is as normal as any other modern career woman's. Then she begins having vivid dreams about ill-fated love and lives cut short. Caught in a curse, Helen will be forced to relive the same tragic events that ruined her previous lives.

All Rob wanted was a normal life. She almost got it, too: a husband, two kids, a nice house in the suburbs. But Rob fears for her oldest daughter, Callie, who collects tiny bones and whispers to imaginary friends. Rob sees a darkness in Callie, one that reminds her too much of the family she left behind. She decides to take Callie back to her childhood home, to Sundial, deep in the Mojave Desert. And there she will have to make a terrible choice.