Women Horror

There are places on earth where nature’s powers gather. Girls raised there are bequeathed strange gifts. A few have powers so dark that they fear to use them. Such a place is Wild Hill, on the tip of Long Island. For centuries, the ghost of a witch murdered by colonists claimed the beautiful and fertile Wild Hill…until a young Scottish woman with strange gifts arrived. Sadie Duncan was allowed to stay.

When guests arrive at a séance to contact a man's lost sons, it becomes clear that everyone has dark secrets - secrets that result in the death of a guest.

Harriet Hunt is completely alone. Her father disappeared months ago, leaving her to wander the halls of Sunnyside house, dwelling on a past she’d rather keep buried. She doesn’t often venture beyond her front gate, instead relishing the feel of dirt under her fingernails and soft moss beneath her feet. Consequently, she’s been deemed a little too peculiar for popular Victorian society. This solitary life suits her fine though—because outside, magic awaits.

Ripley Todd just wants to live a quiet, peaceful kind of life. Her job as a sheriff's deputy keeps her busy and happy, and she has no trouble finding men when she wants them - which, lately, isn't all that often. She's perfectly content, except for one thing: she has special powers that both frighten and confuse her - and though she tries hard to hide them, she can't get them under control.

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

Upstate New York, 1982. Viv Delaney wants to move to New York City, and to help pay for it she takes a job as the night clerk at the Sun Down Motel in Fell, New York. But something isnʼt right at the motel, something haunting and scary. Upstate New York, 2017. Carly Kirk has never been able to let go of the story of her aunt Viv, who mysteriously disappeared from the Sun Down before she was born. She decides to move to Fell and visit the motel, where she quickly learns that nothing has changed since 1982.

1873. At an abandoned château on the outskirts of Paris, a dark séance is about to take place, led by acclaimed spiritualist Vaudeline D’Allaire. Known worldwide for her talent in conjuring the spirits of murder victims to ascertain the identities of the people who killed them, she is highly sought after by widows and investigators alike. Lenna Wickes has come to Paris to find answers about her sister’s death, but to do so, she must embrace the unknown and overcome her own logic-driven bias against the occult.

In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early 19th century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath.

Max and Pip are the strongest couple you know. They're best friends, lovers - unshakable. But then their son gets sick and the doctors put the question of his survival into their hands. For the first time, Max and Pip can't agree. They each want a different future for their son. What if they could have both? A gripping and propulsive exploration of love, marriage, parenthood, and the road not taken, After the End brings one unforgettable family from unimaginable loss to a surprising, satisfying, and redemptive ending and the life they are fated to find.

The Woman is the powerful story of the last survivor of a feral tribe of cannibals who have been terrorizing the East Coast - from Maine into Canada - for years now. Badly wounded in a battle with police, a woman takes refuge in a cave overlooking the sea. Christopher Cleek is a slick, amoral - and unstable - country lawyer who, out hunting one day, sees her bathing in a stream. Fascinated, he follows her to her cave. Cleek has many dark secrets and to these he'll add another....

In this seventh series installment, a ship that vanished (along with everyone on board) 25 years ago has reappeared. Hired to investigate, Seattle PI Harper Blaine soon uncovers evidence that a powerful being may be responsible. Meanwhile, local police detective Rey Solis attempts to solve the mystery of the death of a passenger’s wife.

In 1692, Bridget Bishop was hanged as a witch. Two hundred years later, her legacy lives on in the scions of two very different lines: one dedicated to using their powers to heal and help women in need; the other, determined to grasp power for themselves by whatever means necessary. This clash will play out in the fate of Annis, a young woman in Gilded Age New York who finds herself a pawn in the family struggle for supremacy. She'll need to claim her own power to save herself - and resist succumbing to the darkness that threatens to overcome them all.

Like any enterprising woman, Bea knows what she’s worth and is determined to get all she deserves—it just so happens that what she deserves is to marry rich. Filthy rich. After years of forced instruction by her mother in the art of swindling men, a now-solo Bea wants nothing more than to close and lock the door on their sordid partnership so she can disappear safely into old-money domesticity, sealing the final phase of her escape. When Bea chooses her ultimate target in the fully loaded, thoroughly dull and blue-blooded Collin Case, she’s ready to deploy all of her tricks one last time.

Based on true crimes, The Specimen is a mesmerizing story about one woman’s search for truth and vengeance in the darkest of places—where the deadliest secrets lie hidden in plain sight on a freshly dusted shelf.

Suzette knows her clever and manipulative seven-year-old daughter doesn’t love her. She can see the hatred and jealousy in her eyes. And as Hanna’s subtle acts of cruelty threaten to tear her and her husband apart, Suzette fears her very life may be in grave danger....

On a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century’s worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother.

Alison has never been a fan of Christmas. But with it right around the corner and her husband busily decorating their cozy Vermont home, she has no choice but to face it. Then she gets the call. Mavis, Alison’s estranged mother, has been diagnosed with cancer and has only weeks to live. She wants to spend her remaining days with her daughter’s family. But Alison grew up with her mother’s alcoholism and violent abuse and is reluctant to unearth these traumatic memories.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Vermont, 1950. There's a place for the girls whom no one wants - the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming - until one of them mysteriously disappears.... Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death.