Women Humor

Evanovich fans rejoice for Plum Spooky! Stephanie Plum is back in town, along with her sidekick Lula, her Grandma Mazur, and an ever-widening cast of freaks, criminals, deranged felons, and lunatics looking for love. And just when Stephanie thinks her life can't get any more complicated, in walks the mysterious Diesel. A man who seems to show up at the most inconvenient moments.

Mallory Devereaux is known throughout the town of Royal Flush, Louisiana, as a walking disaster, and her luck just got worse. She needs to raise $10,000 in one week to keep the IRS from seizing her adoptive father’s business, where she works as the demolition foreman. When the opportunity to cool cards at her uncle’s casino comes up, Mallory hopes her luck is changing. But when she realizes her uncle has assembled a tournament of criminals, she wonders what she’s stepped in the middle of.

Aisling is 28 and she’s a complete...Aisling. She lives at home in Ballygobbard (or Ballygobackwards, as some gas tickets call it) with her parents and commutes to her good job at PensionsPlus in Dublin. Aisling goes out every Saturday night with her best friend, Majella, who is a bit of a hames (she’s lost two phones already this year - Aisling has never lost a phone). They love hoofing into the Coors Light if they’re 'Out' or the vodka and Diet Cokes if they’re 'Out Out'.

Twenty-four-year-old Megan may have her whole life ahead of her, but it already feels like a dead end, thanks to her dreadful job as a gastroenterologist's receptionist and her heart-clogging resentment of the success and happiness of everyone around her. But no one stokes Megan's bitterness quite like her coworker, Jillian, a grotesquely optimistic, 35-year-old single mother whose chirpy positivity obscures her mounting struggles.

Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or twelve and nurse a broken heart, shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances’s bed and never left. Now, faced with mounting pressure from her drug dealer, Dom (and his goon, Betty), Frances comes up with a terrible idea: She asks Elaine to move in with her for real.

Reformed art forger Tilda Goodnight reluctantly joins forces with semi-reformed con man Davy Dempsey. They want to steal a dubious painting and several million embezzled dollars from a lethal widow named Clea, who has targeted a mild-mannered art collector as her next dearly departed. Complications include her sister, the female impersonator; his best friend, the reformed cat burglar; a recidivist embezzler named Rabbit; a hit man; some lousy sex; and a juke box.

This edition brings together some of Ephron’s most famous writing on a generation of women (and men) who helped shape the way we live now, and on events ranging from the Watergate scandal to the Pillsbury Bake-Off. In these sharp, hilariously entertaining, and vividly observed pieces, Ephron illuminates an era with wicked honesty and insight. From the famous "A Few Words About Breasts" to important pieces on her time working for the New York Post and Gourmet Magazine, these essays show Ephron at her very best.

Meg's husband has decided to escalate his one-man show of Dickens's A Christmas Carol into a full-scale production with a large cast including their sons Jamie and Josh as Tiny Tim and young Scrooge and Meg helping as stage manager. When a famous, although slightly over-the-hill, actor comes to town to play the starring role of Scrooge, no one expects that he's bringing a lot of baggage and enemies with him.

From New York Times and USA Today bestselling author, Jana DeLeon, a companion novella to Trouble in Mudbug. Do you love Helena Henry? Did you wonder what she was thinking during Trouble in Mudbug, or what she was up to when she was not in the novel? If so, then this novella is for you. All of Helena's thoughts and actions during Trouble in Mudbug, compiled in a diary for you to enjoy.

When most girls get engaged, at most they face a disapproving mother-in-law, but in Tessa Sharpe's case, it's a nation. No one in the tiny kingdom of Avonia wants the former anti-royal blogger to wed Prince Arthur. The anti-royals haven't forgiven her for abandoning ship and swimming over to the Prince's yacht, and the royal watchers won't ever forget all the horrible things she wrote about their beloved Royal Family. Up against all odds, Tessa has only six months to prove herself worthy of the title of Princess. Her nasty father-in-law is going to throw every obstacle in her way.

Rachel Blum and Andy Landis are eight years old when they meet late one night in an ER waiting room. Born with a congenital heart defect, Rachel is a veteran of hospitals, and she's intrigued by the boy who shows up all alone with a broken arm. He tells her his name. She tells him a story. After Andy's taken back to the emergency room and Rachel's sent back to her bed, they think they'll never see each other again.

Journalist, party girl, bookworm, artist, muse: By the time she'd hit 30, Eve Babitz had played all of these roles. She was immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha's Five 1965 Girlfriends, and Babitz's first book showed her to be a razor-sharp writer with tales of her own. Eve's Hollywood is an album of vivid snapshots of Southern California's haute bohemians, of outrageously beautiful high school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont.

Meg Langslow is spending the summer at the Biscuit Mountain Craft Center, helping her grandmother Cordelia run the studios. But someone is committing acts of vandalism, which threaten to ruin the newly opened center's reputation.

D’abord présentées sur les ondes d’Énergie puis de Rouge FM, les chroniques de Rosalie Bonenfant ont conquis des dizaines de milliers d’auditeurs. Tantôt mordantes et cyniques, tantôt intimistes et sensibles, les « humeurs » de Rosalie ne rejoignent pas que les gens de sa génération mais tous les Québécois, de l’adolescent au boomer… à l’exception de quelques « matantes » indignées par son ton direct ou la crudité d’un thème ou d’un mot.

The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find her own voice. It's about friendship and being female. It's bold and brilliant. It's searingly perceptive. It's about never following the herd. And everyone is going to be talking about it.

When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.

It's 1985, and at Oxford University, Pimm's, punting, and ball gowns are de rigeur. Ursula Flowerbutton, a studious country girl, arrives for her first term anticipating nothing more sinister than days spent poring over history books in gilded libraries - and, if she's lucky, an invitation to a ball. But when she discovers a glamorous classmate on a chaise longue with her throat cut, Ursula is catapulted into a murder investigation.

L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

After a health scare, 77-year-old Barbara goes to convalesce in the sleepy Somerset village of Winsleigh Green with her sister, Pauline, who is now a widow. The sisters are like chalk and cheese - Barbara, outspoken and aloof and Pauline, good natured and homely - so it’s not long before the tension starts to rise. But when Pauline accidentally knocks down a vagrant who goes by the name of Bisto Mulligan, the ladies find themselves with another houseguest.

Jodie Boyd is a shy and anxious twenty-something, completely unsure what to do with her life. Her older sister, Bree, is an adventurous, hugely successful Instagram influencer with more than a million followers. She's the most alive person Jodie knows—up until Bree's unfathomable, untimely death from Leukemia. The Boyds are devastated, not to mention overwhelmed with medical debt. But Bree thought of everything—and soon, Jodie is shocked by a new post on her sister's Instagram feed.