Women Police Mystery

In a decrepit and long-empty New York building, a man begins the demolition process by swinging a sledgehammer into a wall. When the dust clears, he finds two skeletons wrapped in plastic behind it. The man is Lieutenant Eve Dallas’s billionaire husband, Roarke, and he summons her immediately. His latest real estate project is going to be on hold for a while, because by the time Eve and her crew are finished searching the premises, there are 12 murders to be solved.

FBI Special Agent Cate Wilde is back home on a remote Pacific Northwest island when she gets the call: a teenager’s skeletal remains have been found on a nearby island. Together with Tessa Black, a childhood friend turned local deputy, Cate confronts dreary weather and bleak leads to make sense of the death. The complications pile up as Cate is distracted by the coroner on the case - and by nagging memories that draw her twenty years into the past.

It’s early spring of 1947 in idyllic King’s Cove, and the Hughes ladies, mère et filles, are gardening and sorting through the jars of food that have been put up for the winter. But while cleaning up after the roof of their root cellar has caved in slightly, they are horrified to discover a small skeletal hand embedded in the mess. Panicked, they call Lane Winslow, the ex-British secret service agent, and, not without some misgivings about the state of their tense relationship, Lane calls Inspector Darling.

After being brutally stabbed at her desk late one night, Lauren Riley works her way backwards through the haze to piece together who attacked her and why. A mysterious phone message forces her to enlist the help of a retired lieutenant to track down a witness who is desperate not to be found. As she digs into the Buffalo Police Department’s hidden past she uncovers a terrible secret, one a fellow officer would kill to protect.

A young Australian woman turns up dead after a party thrown by her new boss. The initial investigation of Naomi Lockhart's murder points to Joseph Madden, the owner of a coffee shop around the corner from police headquarters. Madden insists he’s innocent, that he was home with his wife, Rachel, at the time of the murder. When police question her, Rachel contradicts his alibi, swearing that she was home alone.

SFPD Sergeant Lindsay Boxer has guns on her mind. There’s buzz of a last-ditch shipment of drugs and weapons crossing the Mexican border ahead of new restrictive gun laws. Before Lindsay can act, her top informant tips her to a case that hits disturbingly close to home. Former cops. Professional hits. All with the same warning scrawled on their bodies.

It is a boiling hot Boston summer. Adding to the city’s woes is a series of shocking crimes, in which wealthy men are made to watch while their wives are brutalized. A sadistic demand that ends in abduction and death. The pattern suggests one man: serial killer Warren Hoyt, recently removed from the city’s streets. Police can only assume an acolyte is at large, a maniac basing his attacks on the twisted medical techniques of the madman he so admires. At least that’s what Detective Jane Rizzoli thinks.

Newlywed Chief of Police Kate Burkholder is awakened by an urgent midnight call summoning her to a suspicious fire in the woods. When she arrives at the scene, she discovers a charred body. According to the coroner, the deceased, an Amish man named Milan Swanz, was chained to a stake and burned alive. It is an appalling and eerily symbolic crime against an upstanding husband and father.

On the day she returns to active duty with the Serial Crimes Unit, Detective Inspector Anjelica Henley is called to a crime scene. Dismembered body parts from two victims have been found by the river. The modus operandi bears a striking resemblance to Peter Olivier, the notorious Jigsaw Killer, who has spent the past two years behind bars. When he learns that someone is co-opting his grisly signature - the arrangement of victims’ limbs in puzzle-piece shapes - he decides to take matters into his own hands.

In the sleepy rural town of Painters Mill, Ohio, the Amish and "English" residents have lived side by side for two centuries. But 16 years ago, a series of brutal murders shattered the peaceful farming community. Kate Burkholder, a young Amish girl, survived the terror of the Slaughterhouse Killer but came away from its brutality with the realization that she no longer belonged with the Amish. Now, a wealth of experience later, Kate has been asked to return to Painters Mill as Chief of Police. She's certain she's come to terms with her past - until the first body is discovered in a snowy field.

Driving home during a swirling blizzard, Vera Stanhope's only thought is to get there quickly. But the snow is so heavy that she becomes disorientated and loses her way. Ploughing on, she sees a car slewed off the road ahead of her. With the driver's door open, Vera assumes the driver has sought shelter, but when she inspects the car she is shocked to find a young toddler strapped in the back seat. Afraid they will freeze, Vera takes the child and drives on, arriving at Brockburn, a run-down stately home she immediately recognises as the house her father, Hector, grew up in.

When a retired sheriff’s deputy is shot to death in his home, his troubled teenage stepson, Evan, becomes the prime suspect. Even more incriminating, the boy disappeared from the scene of the crime. Desperate to find her son, Evan’s mother begs PI Lance Kruger for help. She knows her son is innocent. Kruger and defense attorney Morgan Dane want to believe that too, but the evidence against the boy is damning. Just as the trail goes cold, another deputy vanishes.

When an attack leaves one of the members of the Women's Murder Club struggling for her life, the others fight to keep a madman behind bars before he hurts anyone else. And Lindsay Boxer and her new partner in the San Francisco police department try to stop a series of kidnappings: children and their nannies are being plucked off the streets.

While on a much needed camping vacation with her boyfriend, Sheriff Eric Dalton, Casey hears a baby crying in the woods. The sound leads them to a tragic scene: a woman buried under the snow, murdered, a baby still alive in her arms. A town that doesn’t let anyone in under the age of 18, Rockton must take care of its youngest resident yet while solving another murder and finding out where the baby came from - and whether she's better off where she is.

Dr. Ruth Galloway returns to North Norfolk in her latest chilling adventure. DCI Nelson has been receiving threatening letters. They are anonymous yet somehow familiar. They read like the letters that first drew him into the case of the Crossing Places and to Ruth. But the author of those letters is dead. Or are they?

In 2008, nine mountaineers failed to return from a winter backpacking trip in the New Mexico mountains. At their final campsite, searchers found a bizarre scene: something had appeared at the door of their tent so terrifying that it impelled them to slash their way out and flee barefoot to certain death in a blizzard. Despite a diligent search, only six bodies were found, two violently crushed and inexplicably missing their eyes. The case, given the code name “Dead Mountain” by the FBI, was never solved. Now, two more bodies from the lost expedition are unexpectedly discovered in a cave.

A car submerged in a remote pond. The bodies of two girls strapped into their seats. The mystery of their mother, vanished without a trace, leads Gwen Proctor and Kezia Claremont into dangerous territory. On the surface, Gwen’s life is good - two children approaching adulthood, a committed partner, and a harrowing past dead and gone. That past is attracting the attention of someone invisible and unstoppable. Trouble’s just beginning. So is the body count in this backwoods Tennessee town. As threats mount and Gwen’s hunted by an enemy who pulls all the strings, Kezia has her back.

When true-crime writer Olivia Cruz disappears with no signs of foul play, her new boyfriend, Lincoln Sharp, suspects the worst. He knows she didn’t leave willingly and turns to attorney Morgan Dane and PI Lance Kruger to find her before it’s too late. As they dig through Olivia’s life, they are shocked to discover a connection between her current book research on two cold murder cases and the suicide of one of Morgan’s prospective clients.

Dennis Mira just had two unpleasant surprises. First he learned that his cousin Edward was secretly meeting with a real estate agent about their late grandfather's magnificent West Village brownstone, despite the promise they both made to keep it in the family. Then, when he went to the house to confront Edward about it, he got a blunt object to the back of the head.

The scene in the West Village studio appears to be classic crime-of-passion: two wineglasses by the bed, music playing, and a young sculptor named Ariel Byrd with the back of her head bashed in. But when Dallas tracks down the wealthy Upper East Side woman who called 911, the details don’t add up. Gwen Huffman is wealthy, elegant, comforted by her handsome fiancé as she sheds tears over the trauma of finding the body - but why did it take an hour to report it? And why is she lying about little things?