Women Sleuths Victorian

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries's polished detection skills are up to the task...proving that behind every great man there's a woman - and that a crimesolver's work is never done. When the general office manager of Sutcliffe Manufacturing is murdered, no one is really surprised. Ronald Dearman was anything but a dear man. The tyrannical bully had more than enough enemies to go around.

Minerva Kenny is a dear woman, but her tendency to "borrow" things without asking has finally caught up with her. William Barrett has learned Minerva's shameful secret, and he's holding it over her head. Mrs. Jeffries and the staff at Upper Edmonton Gardens have hatched a scheme to save her - but when they try to recover the damning evidence from Barrett, they discover something more shocking: Barrett's corpse. Considering the victim's wicked ways, Minerva is far from the only suspect.

The evidence was all there: a dead body, two dessert plates, and a gun. Could it be that Mr. Ashbury was sharing his cake with his killer? The old bloke had enemies galore - even his own daughter disliked him. Mr. Ashbury's son-in-law doesn't want Inspector Witherspoon asking questions. Of course this doesn't stop Mrs. Jeffries and her staff from snooping around.

Hannah Cameron was not well-liked, but who stabbed her in the back? To almost everyone, the answer was clear: she was killed by a burglar. This case is given to Inspector Nivens, so Mrs. Jeffries and the rest of the household must tiptoe around this case to find the real killer.

Narrated by acclaimed British actor Edward Petherbridge. On the eve of war, Sherlock Holmes is asked by the Prime Minister of England to recover a new British superweapon that has fallen into the wrong hands. But Lucy James, an actress and Holmes's recently discovered grown daughter, has inherited the family sleuthing skills and strong-willed nature. Despite her father's objections, she insists on helping him, although several horrific murders have been linked to the weapon's disappearance.

With London's streets deserted, a young flower girl is murdered. But why was she out so late on the foggiest night of the year? Inspector Witherspoon of Scotland Yard has nowhere to even begin looking for a suspect. However, Mrs. Jeffries, his housekeeper, is even more accomplished at detection than she is at household management. A policeman's widow herself, her quick wits allow her to nudge the inspector in the right direction to solve the mystery.

Harriet Andover had no intention of dying young like her silly siblings had. She intended to outlive them and outdo them as she always had. But Harriet discovers that the best intentions can lead to murder when she is strangled inside her mansion with a house full of holiday guests. As much as Inspector Witherspoon enjoys his job delivering justice, the last thing he wanted was a complicated murder case just a week before Christmas. He soon discovers that Harriet's own husband and grown stepchildren are not overcome with grief and neither are most of her friends.

Under a bundle of mistletoe, art collector Daniel McCourt lies with his throat slit, a bloody sword next to his body. Inspector Witherspoon is determined to solve the case - preferably before the eggnog is ladled out on Christmas Eve - but of course he will require assistance from the always sharp-witted housekeeper, Mrs. Jeffries, who has a few of her own theories on why McCourt had to die by the sword.

Beautiful and new in town, Ellen Langston-Jones doesn't have any enemies. So, when she's found dead in the communal gardens, Inspector Witherspoon quickly narrows the field of suspects down to one: Lucius Montague, who was seen threatening Mrs. Langston-Jones shortly before her death. The Inspector and all of London are positive that he's the killer, but Mrs. Jeffries has doubts.

Ghostly images appear and float across the stage, objects levitate into the air, and a beautiful assistant disappears inside a glass box, then reappears inside a second glass box. All while the audience at the Crystal Palace, including amateur investigator Mikaela Forsythe, watch the performance. Is it real? Then, an evening with her friend, Theodora Templeton, attending the one-night performance by master illusionist Jean Luc Betard, takes a ghastly turn and plunges Mikaela headlong into murder when the illusionist's young assistant is found dead at the end of his newest stunt.

The past reaches out to the unlikely investigative team of Angus Brodie and Mikaela Forsythe when a man she was once engaged to marry seeks her assistance to find his young runaway son. However, a simple case of following the clues left behind becomes far more as the search unravels her former fiancé’s secrets. Mikaela is determined to find the answers.

An artist's model never shows up at Neville Grant's house...or so he claims. But when one of Mr. Grant's houseguests suddenly dies, the Inspector and Mrs. Jeffries have to work double-time to find both the missing model and the killer!

It's Derby day at Epsom Downs, and Lord Charles Sheridan is on hand to photograph the race with his new camera—while his wife, Kate, watches from the stands. It's a thrilling day for both Sheridans—until the race ends with a jockey's death. With her husband busy investigating, Kate retreats to the countryside to interview world-renowned actress Lillie Langtry for a magazine article. Plunging into her subject's less-than-illustrious past, Kate puzzles over the long-ago theft of the actress's jewels—and is not surprised when Charles's investigation heads in Langtry's direction.

Mirabelle Daws traveled all the way from Australia to Sheridan Square to visit her sister - only to die in the middle of a locked garden. All the residents of Sheridan Square have a key to the garden - but no one seemed to know that Mirabelle was planning to arrive. So the question facing Mrs. Jeffries is: Who wanted to make sure that Mirabelle's visit was very, very short-lived?

The eccentric Olive Kettering swore someone was trying to harm her. Too bad no one listened, though plenty wanted her dead. When Olive is shot and killed, Mrs. Jeffries has no problem speaking her mind to see justice served.

Ever since she moved to Raven Creek, Washington, Phoebe Winchester knew she would have to grow accustomed to having a lot on her plate. She’s beginning to make the Victorian manor she inherited from her dear and adventurous Aunt Eudora feel more like home, successfully running the bookstore and tea shop, The Earl’s Study, and learning to harness her recently discovered magical powers. But when she discovers a dead body at an estate sale, even Phoebe wonders if this is simply too much.

Mr. James Harding was a lot of things - businessman, well-to-do, probable scoundrel - but a drinker he most assuredly was not. So when Harding is believed to have drunkenly fallen to his death into the icy River Avon, Lord William Wethington is immediately suspicious. Finding Lord William's name on a letter in the victim's pocket, the local constabulary summons William to identify the victim. Police detectives learn that William had been one of Harding's business clients - and undoubtedly not the only client the dead man had cheated.

It was a most peculiar murder. A man's body was found in the canal - but the evidence showed that he had drowned in a bathtub. A theater critic known for his savage reviews, the victim had had a full cast of enemies. While Inspector Witherspoon scoured the theater, his housekeeper and unofficial sleuthing partner Mrs. Jeffries uncovered the critic's secret past: a real-life drama more compelling than any stage play.

When wealthy banker Sir Gerald Mariner posts a handsome reward for finding his missing infant, all of London joins in, hoping to win that money for themselves. Usually discouraged by a saturated market, photographer and private detective Sarah Bain is instead curiously allured as she realizes the case hits much closer to home than she first thought.

London, 1894. Albertine Honeycombe never wanted a husband and certainly not the one with fifteen children that her cousin, Aubrey, is trying to marry her off to. She reinvents herself as Countess Von Dagga, a private detective aiding the upper echelons of women in society. As the Countess, she is a married woman, with a conveniently absent husband who doesn’t exist, which allows her far more freedom than being single. When Lord Grendel, from whom she has recovered blackmail letters, is murdered, Albertine is suspect number one—having been the last person to see him.