Working Class

The Blood on My Lips from Biting My Tongue shines a light on the strenuous working conditions at the largest growing provider of goods in America today and its impact on the working class. Too many Americans are affected by income inequality and harsh working conditions. For far too long, these corporations have held on to their profits with little to no regard for the livelihoods of their employees. Their pockets grow while the average American’s pockets shrink. These conditions have pushed employees to their breaking point.

Christophe Guilluy, a French geographer, makes the case that France has become an "American society" - one that is both increasingly multicultural and increasingly unequal. The divide between the global economy's winners and losers in today's France has replaced the old left-right split, leaving many on "the periphery".

This book examines the recent American populist movement and what happens now with the election of Biden to the American presidency.

In part two of this previously unreleased six-plus-hour collection of John Lennon's unique wit and wisdom, the iconic Beatle introduces the world to his stirring non-violent philosophy to not only end the then-raging Vietnam war, but also the deeply-rooted violence within ourselves, a timely message especially important today in this world of seemingly endless international terror and conflict.

This book examines the idea of the phenomenon of how the American working class supports the economic elite. This is in direct contradiction to the notion prevalent in the Western world about the rise of populism, the inaccurate assessment of the American working class being against the economic elite.

Here is the original manuscript of Raymond Carver's seminal 1981 collection, What We Talk About When We Talk About Love. Carver is one of the most celebrated short-story writers in American literature - his style is both instantly recognizable and hugely influential - and the pieces in What We Talk About..., which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story.

Trudy works nights in a linen factory, avoiding romance and sharing the care of her four-year-old niece with Trudy’s mother, Claire. Claire still pines for Trudy’s father, a St. Lawrence Seaway construction worker who left her 20 years ago. Claire believes in true love. Trudy does not. She’s keeping herself to herself. But when Jules Tremblay, aspiring daredevil, walks into the Jubilee restaurant, Trudy’s a goner.

Fifth-generation New Yorker, third-generation bartender, and first-generation author Tara Clancy was raised in three wildly divergent homes: a converted boat shed in working-class Queens; a geriatric commune of feisty, Brooklyn-born Italians; and a sprawling Hamptons estate she visited every other weekend. This childhood triptych comes to life in The Clancys of Queens, an electric, one-of-a-kind memoir.

In CinderGirl, Christina tells her piercing and poignant story of leaving behind homelessness to become Ms. California and the founder of a nonprofit organization that provides advocacy for foster-care children.

“Genius is one percent inspiration and ninety-nine percent perspiration.” This phrase, arguably Thomas Edison’s most famous quote, has been drilled into the minds of generations of Americans. A fairly straightforward iteration of the idea that innovation, discovery, and ingenuity are the result of drive and grit above all, it has also come to represent much darker myths: that hard work always leads to success and that achievement is the product of individuals and not communities.

It’s the Middle Class, Stupid! confirms what we have all suspected: Washington and Wall Street have really screwed things up for the average American. Work has been devalued. Education costs are out of sight. Effort and ambition have never been so scantily rewarded. Political guru James Carville and pollster extraordinaire Stan Greenberg argue that our political parties must admit their failures and the electorate must reclaim its voice, because taking on the wealthy and the privileged is not class warfare—it is a matter of survival.

Beginning with his first book, Shouting at No One, from 1983, and continuing through to So Where Are We?, from 2017, A Certain Clarity provides a generous selection of Lawrence Joseph's poetry "of great dignity, grace, and unrelenting persuasiveness" (John Ashbery), each poem "an inspired, made thing by a poet-advocate who has honed a timely song within an urgent testimony that embraces the complex density of truth" (Yusef Komunyakaa).

In Dreams of the Overworked, Christine M. Beckman and Melissa Mazmanian offer vivid sketches of daily life for nine families, capturing what it means to live, work, and parent in a world of impossible expectations, now amplified unlike ever before by smart devices. We are invited into homes and offices, where we recognize the crushing pressure of unraveling plans, and the healing warmth of being together. Moreover, we witness the constant planning that goes into a "good" day, often with the aid of phones and apps.