World Art History

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

In this book in praise of wait times, award-winning author Jason Farman passionately argues that the delay between call and answer has always been an important part of the message. Traveling backward from our current era of Twitter and texts, Farman describes how societies have worked to eliminate waiting in communication and how they have interpreted those times' meanings. And in a rebuttal to the demand for instant communication, Farman makes a powerful case for why good things can come to those who wait.

Walden is a work by noted transcendentalist Henry David Thoreau. The text is a reflection upon simple living in natural surroundings. The work is part personal declaration of independence, social experiment, voyage of spiritual discovery, satire, and to some degree a manual for self-reliance. First published in 1854, Walden details Thoreau's experiences over the course of two years, two months, and two days in a cabin he built near Walden Pond amid woodland owned by his friend and mentor Ralph Waldo Emerson, near Concord, Massachusetts.

Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But she’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call “classical music” is really just centuries of compositions shoved into one hodge-podge of a genre.

Craig Childs bears witness to rock art of the Colorado Plateau—bighorn sheep pecked behind boulders, tiny spirals in stone, human figures with upraised arms shifting with the desert light, each one a portal to the open mouth of time. With a spirit of generosity, humility, and love of the arid, intricate landscapes of the desert Southwest, Childs sets these ancient communications in context, inviting listeners to look and listen deeply.

Hone your knowledge with iMinds Specialist Series. Have a particular interest? Recognize gaps in your knowledge? iMinds' Specialist series works across each of our 12 categories, bringing you targeted information to broaden your mind. The Arts, Volume 1 looks at the life of Andy Warhol, the story of Robin Hood, a history of blues music, the film genres film noir and anime, and the history of the Hollywood blacklist.

Married . . . With Children writer-producer Richard Gurman takes us behind the scenes of this boundary-breaking show to reveal how its inner workings were at times as disruptive and contentious—yet at other times, as hysterical and raunchy—as the Bundy family themselves.

Laura Kasinof studied Arabic in college and moved to Yemen a few years later - after a friend at a late-night party in Washington, DC, recommended the country as a good place to work as a freelance journalist. When she first moved to Sanaa in 2009, she was the only American reporter based in the country. She quickly fell in love with Yemen’s people and culture, in addition to finding herself the star of a local TV soap opera.

Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past 50 years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaetón and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players. Their stories, told in their own words, take you inside the hits, to the inner sanctum of the creative minds behind the tracks that have defined eras and become hallmarks of history.

There have been few times in modern music history that an instant shift in how we listen to - and view - music has occurred. However, the launch of MTV on August 1, 1981, was certainly one such occurrence. Instantly, music fans were now “listening with their eyes” rather than relying solely on their ears.

Set in Calcutta, London, the glacier-locked wilds of the Karakoram, and on Everest itself, The Last Englishmen is also the story of a generation. The cast of this exhilarating drama includes Indian and English writers and artists, explorers and Communist spies, Die Hards and Indian nationalists, political rogues and police informers. Key among them is a highborn Bengali poet named Sudhin Datta, a melancholy soul torn, like many of his generation, between hatred of the British Empire and a deep love of European literature, whose life would be upended by the arrival of war on his Calcutta doorstep.

Throughout the course of history, civilization has been blessed by strong-minded men and women who have impacted our world in extraordinary ways. Their imprint upon humanity is beyond dispute. And many would contend that they were no less than the result of Divine Providence - a gift of God to the human race. The Mark of a Giant examines the lives and contributions of seven men and women who changed the world: Abraham of Ur, Pericles, the Apostle Paul, Sir Isaac Newton, Marie Curie, Martin Luther King Jr., and Mother Teresa.

In this companion volume to The Discoverers, Pulitzer Prize-winning historian Daniel J. Boorstin brings to life more than three thousand years of human artistic achievement, examining painting, sculpture, architecture, theology, philosophy, history, poetry, drama, literature, dance, music, and film.

The legendary Pablo Picasso once paid a visit to the legendary Altamira Caves, located near the town of Santillana del Mar in Cantabria, Spain. There, he viewed the ancient cave paintings, deemed to be among the most sophisticated examples in the world. He summarized the visit by saying, “After Altamira, all is decadence,”[1] suggesting a purity in early man that modern people have apparently lost. Other lesser-known artists, psychologists and various scientists have dismissed even the best of the Paleolithic cave painters.

British airman Dym Ingleford is convinced that the young German prisoner, Max Eckermann, is his brother Anthony, who was kidnapped years before. Raised in the Nazi ideology, Tony has by chance tumbled into British hands. Dym has brought him back, at least temporarily, to the family he neither remembers nor will acknowledge as his own.

The magnificent collections contain a million pieces of art—objects that carry China’s deepest and most ancient memories. Among them are irreplaceable artefacts: exquisite paintings on silk, rare Ming porcelain, and the extraordinary Stone Drums of Qin, which are adorned with 2,500-year-old inscriptions of cultural significance.

As Dorian Lynskey writes, “People have been contemplating the end of the world for millennia.” In this immersive and compelling cultural history, Lynskey reveals how religious prophecies of the apocalypse were secularized in the early 19th century by Lord Byron and Mary Shelley in a time of dramatic social upheaval and temporary climate change, inciting a long tradition of visions of the end without gods.

In 1937, as the Nazis gained control and anti-Semitism spread in the Free City of Danzig, a majority German city on the Baltic Sea, 16-year-old Justus Rosenberg was sent to Paris to finish his education in safety. Three years later, France fell to the Germans. Alone and in danger, penniless and cut off from contact with his family in Poland, Justus fled south.

Pandemic, climate change, or war: Our era is ripe with the odor of doomsday. In movies, books, and more, our imaginations run wild with visions of dreadful, abandoned cities and returning to the land in a desperate attempt at survival. In The Next Apocalypse, archaeologist Chris Begley argues that we completely misunderstand how disaster works. Examining past collapses of civilizations, such as the Maya and Rome, he argues that these breakdowns are actually less about cataclysmic destruction than they are about long processes of change.

A follow-up to her popular Encyclopedia of the Exquisite, Jenkins' new book offers a string of historical anecdotes structured around the hours of the day, celebrating the unusual, fantastic, and beautiful ways people have spent time throughout the ages.