World Family

The way Jesus tells it, if we give up on belonging in order to follow him, we'll find ourselves belonging anyway. We might not belong the way other people do, with normal homes and normal families and normal ways of fitting in. But we'll belong in a way that's a hundred times better. We'll be fully in place because we know we are out of place. We'll belong like aliens.

Brooklyn, 1947: In the midst of a blizzard, in a two-family brownstone, two babies are born minutes apart to two women. They are sisters by marriage, with an impenetrable bond forged before and during that dramatic night; but as the years progress, small cracks start to appear, and their once deep friendship begins to unravel. No one knows why, and no one can stop it. One misguided choice; one moment of tragedy. Heartbreak wars with happiness and almost but not quite wins.

Life is harsh in Chennai's teeming streets, so when runaway sisters Viji and Rukku arrive, their prospects look grim. Very quickly, 11-year-old Viji discovers how vulnerable they are in this uncaring, dangerous world. Fortunately, the girls find shelter - and friendship - on an abandoned bridge. With two homeless boys, Muthi and Arul, the group forms a family of sorts. But when illness strikes, Viji must decide whether to risk seeking help from strangers or to keep holding on to their fragile, hard-fought freedom.

Lisette lives in East Berlin but brings her new-born baby to a hospital in West Berlin. Under doctor's orders, she goes home to rest, leaving the baby in the care of the hospital. But overnight the border between East and West closes, slicing the city - and the world - in two. With a city in chaos and armed guards ordered to shoot anyone who tries to cross, her situation is desperate.

Plymouth, 1941. As sirens blare all around, the Shawbrook family take refuge in a packed shelter. Bombs have already begun to fall through the night sky when they realize their infant son, Freddie, has been forgotten in the rush, left to sleep in his crib. Terrified, Vera, his young mother, races to find him and bring him to safety. The next morning, air-raid warden David Shawbrook returns from his watch to find the shelter pulverized, and his family seemingly all dead. Dirty footprints inside their home betray the looters who have rifled through the house.

Cuba, 1936: When Estelita Rodriguez sings in a hazy Havana nightclub for the very first time, she is nine years old. From then on, that spotlight of adoration - from Havana to New York’s Copacabana and then Hollywood - becomes the one true accomplishment no one can take from her. Not the 1933 Cuban Revolution that drove her family into poverty. Not the revolving door of husbands or the fickle world of film.

This is the final volume of The Cazalet Chronicle, the quartet of novels chronicling the lives of a British family before, during, and after the Second World War. VE Day has been celebrated, but the war with Japan goes on. Polly, Clary, and Louise are grown up, discovering loneliness, loss, and passion. Rupert, missing in France for so long, returns to find Zoe curiously withdrawn; Edward will be forced to choose between wife and mistress; Hugh must finally accept Sybil's death.

Italy, 1945. "Where am I"? The young man wakes, bewildered. He sees olive trees against a bright blue sky. A soft voice soothes him. "We saw you fall from your plane. The parachute saved you". He remembers nothing of his life, or the war that has torn the world apart...but where does he belong? England, present day. Antique-shop-owner Susannah wipes away a tear as she tidies her grandmother’s belongings. Elsie’s memories are fading, and every day Susannah feels further away from her only remaining family.

As a hospice nurse, Zara Mitchell has already seen more death than most people will experience in a lifetime. So when her older sister asks her to help care for their ailing grandmother, Zara agrees - despite strained family relationships. Though pale and tired, Nonna has lost none of her sharp mind. She’s fixated on finding something long forgotten, and she immediately puts Zara to work cleaning out the attic. Amid the tedium of sifting through knickknacks and heirlooms, Zara also reconnects with a man she’s attracted to but whose complicated past makes romance seem impossible.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

After the death of her mother, Rebecca is sorting through her empty flat. Starting with the letters piling up on the doormat, she finds an envelope postmarked from Cornwall. In it is a letter that will change her life forever. A desperate plea from her mother’s elderly cousin, Olivia, to help save her beloved home. Rebecca arrives at Chynalls to find the house crumbling into the ground and Olivia stuck in hospital with no hope of being discharged until her home is made habitable.

Clara Falkenberg, once Germany's most eligible and lauded heiress, earned the nickname "the Iron Fräulein" during World War II for her role operating her family's ironworks empire. It’s been nearly two years since the war ended, and she’s left with nothing but a false identification card and a series of burning questions about her family's past. With nowhere else to run to, she decides to return home and take refuge with her dear friend, Elisa.

A. J. Jacobs has received some strange emails over the years, but this note was perhaps the strangest: "You don't know me, but I'm your eighth cousin. And we have over 80,000 relatives of yours in our database." That's enough family members to fill Madison Square Garden four times over. Who are these people, A. J. wondered, and how do I find them? So began Jacobs' three-year adventure to help build the biggest family tree in history.

King George V predicted that his son, Edward VIII, would destroy himself within a year of succeeding to the throne. In December 1936 he was proved right, and the world’s press revealed the king was abandoning his throne to marry Wallis Simpson. A life spent in the shadow of his charismatic elder brother left the new king, George VI, magnificently unprepared for the demands of ruling the kingdom and empire. Drawing on personal accounts from the royal archives, Deborah Cadbury uncovers the very private conflict.

Set in 1920s London, this is the inspiring story of Kate Goss' struggle against poverty, hunger and cruel family secrets. Her mother died in a fall, her father has vanished without trace, and now her aunt and cousins treat her viciously. In a freezing, vermin-infested garret, factory girl Kate has only her own brave spirit and dreams of finding her father to keep her going. She has barely enough money to feed herself, or to pay the rent. The factory where she works begins to lay off people and it isn't long before she has fallen into the hands of the violent local money-lender.

Isma is free. After years of watching out for her younger siblings in the wake of their mother's death, she's accepted an invitation from a mentor in America that allows her to resume a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who's disappeared in pursuit of his own dream, to prove himself to the dark legacy of the jihadist father he never knew. When he resurfaces half a globe away, Isma's worst fears are confirmed.

Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.

Meet Hickey, an American school teacher in his late 30s, an American school teacher who burns his bridges with the school board and goes to Africa as an aid worker. Working for an agency in Nairobi, one of his jobs is to drive food and medical supplies to Southern Sudan to an aid station run by Ruth, a middle-aged woman, who acts as nurse, doctor, hospice worker, feeder of starving children, and witness. Ruth is gruff but efficient, and Hickey, who is usually drawn to youth and beauty, is struck by her devotion. Returning to Nairobi, he can’t forget what he has seen.

Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.

Franny Steinberg knows there’s powerful magic in laughter. She’s witnessed it. With the men of Chicago off fighting WWII on distant shores, Franny has watched the women of the city taking charge of the war effort. But amidst the war bond sales and factory shifts, something surprising has emerged, something Franny could never have expected. A new marvel that has women flocking to comedy clubs across the nation: the Showstopper.