Yiddish Literature

For 60 years Jewish refugees and their descendants have prospered in the federal district of Sitka, a temporary safe haven created in the wake of the Holocaust and the shocking 1948 collapse of the fledgling state of Israel. The Jews of the Sitka District have created their own little world in the Alaskan panhandle, a vibrant and complex frontier city that moves to the music of Yiddish. But now the district is set to revert to Alaskan control, and their dream is coming to an end.

Set in the years around 1492, Yiddish for Pirates recounts the compelling story of Moishe, a Bar Mitzvah boy who leaves home to join a ship's crew, where he meets Aaron, the polyglot parrot, who becomes his near-constant companion. From a present-day Florida nursing home, this wisecracking yet poetic bird guides us through a world of pirate ships, Yiddish jokes, and treasure maps. But Inquisition Spain is a dangerous time to be Jewish, and Moishe joins a band of hidden Jews trying to preserve some forbidden books.

I.L. Peretz, the acknowledged "Father of Yiddish Literature", captured the essence of Eastern European Jewish life. He wrote of the magical quality of kindness, and the bitter fruits of blind faith.

More than a quarter of a century ago, Leo Rosten presented the first comprehensive and hilariously entertaining lexicon of the colorful and deeply expressive language of Yiddish. Said to "give body and soul to the Yiddish language," The Joys of Yiddish went on to become an indispensable tool for writers, journalists, politicians and students, as well as a perennial best seller for three decades.

Renowned Jewish vocalist and writer Elizabeth Schwartz’s first book of fiction “The Sweet Fragrance of Life & Other Stories” is a meditation on historic European Jewish Culture seen through the lens of a woman’s point of view. As if Sholem Ale­ichem and Angela Carter had a child, The Sweet Fra­grance of Life & Oth­er Hor­ror Sto­ries explores Euro­pean Jew­ish his­to­ry, cul­ture, and real world events through a fem­i­nist, shtetl perspective. This is an eerie collection of new Jewish-themed horror stories from a world that was.

Rabbi Sholem Shachne Katzenellenbogen’s world, the world of his forefathers, is crumbling before his eyes. And in his own home! His eldest, Bentzion, is off in Bialystok, studying to be a businessman; his daughter Bluma Rivtcha is in Vilna, at nursing school. For her older sister, Tilza, he at least managed to find a suitable young rabbi, but he can tell things are off between them. Naftali Hertz? Forget it; he’s been lost to a philosophy degree in Switzerland (and maybe even a goyish wife?). And now the rabbi’s youngest, Refael’ke, wants to run off to the Holy Land with the Zionists.

At the end of the 19th century, Jewish writers began writing in Yiddish and creating for the first time popular literature that brought alive the small dramas, struggles, and joys of ordinary life. Sholem Aleichem was one of the very few modern writers who spoke for an entire people. This collection of stories includes the title piece and seven other tales.

The Yiddish King Lear: The Jewish King Lear by Jacob Gordin is perhaps one of the most famous Yiddish plays of all time. Adapted in English and for the stage by David Serero. Starring David Serero as Reb Dovidl Moysheles.

What is the noise coming from under Annie's bed? It's a little white goat, says her mother. Together, mother and child create a fantastical adventure in an imaginary world.

Mea Schearim, die Stadt der 100 Tore, ist ein Viertel von Jerusalem, das fast ausschließlich von ultraorthodoxen Juden bewohnt wird. Um diese unfassbar aufregende und fremde Welt und ihre Spiritualität erfassen und verständlich machen zu können, muss man dort gelebt haben – so wie Tuvia Tenenbom, der in Mea Schearim aufgewachsen ist und nach vielen Jahren in New York hierher zurückgekehrt ist, um sich seiner Vergangenheit zu stellen: Denn Tenenbom entstammt selber einer ultraorthodoxen Familie, lernte in einer Jeschiwa, und ihm wurde eine Zukunft als einer der ganz großen Rabbis prophezeit.

This is the first complete English-language translation of a classic of Yiddish literature, one of the great comic novels of the 20th century. The Zelmenyaners describes the travails of a Jewish family in Minsk that is torn asunder by the new Soviet reality. Four generations are depicted in riveting and often uproarious detail as they face the profound changes brought on by the demands of the Soviet regime and its collectivist, radical secularism.

Avrom Reisen (1876-1953) was an acclaimed and prolific Yiddish poet and short story writer for the American Yiddish dailies. This is a superb translation by Harvey Fink of some of Reisen's best short stories. At the time of Reisen's death, the Jewish Spectator wrote: "There are many Yiddish writers who owe their success to Reisen's encouragement. For years he published and edited, under great sacrifices, Yiddish journals with the primary aim of providing a platform for young, struggling writers....

Chi era il nonno dei robot? Il Golem è forse uno dei più antichi esseri artificiali leggendari: un gigante di argilla creato, su ispirazione divina, da un rabbino, in aiuto degli Ebrei di Praga; un enorme fantoccio che si anima sono quando in fronte gli viene inciso il completo Nome di Dio. In un primo tempo il Golem ubbidirà agli ordini, ma poi comincerà ad avere vita propria, a essere invaso dalla malinconia, a sentirsi solo e diverso. E tra mito, filosofia e fantascienza, la sua storia avrà un finale fiabesco.