New Releases

The postwar global order was in many ways shaped in response to the Holocaust. That event became the benchmark for atrocity, and, in the Western imagination, the paradigmatic genocide. Its memory orients so much of our thinking, and crucially, forms the basic justification for Israel’s right first to establish itself and then to defend itself. But in many parts of the world, ravaged by other conflicts and experiences of mass slaughter, the Holocaust’s singularity is not always taken for granted, even when its hideous atrocity is.

Etta Shiber and Kate Bonnefous are the unlikeliest of heroines: two seemingly ordinary women, an American widow and an English divorcée, living quietly together in Paris. Yet during the Nazi occupation, these two friends find themselves unexpectedly plunged into the whirlwind of history. With the help of a French country priest and others, they set out to rescue British and French soldiers trapped behind enemy lines—some of whom they daringly smuggle through Nazi checkpoints hidden inside the trunk of their car.

A masterpiece of the historian's art, Hugh Thomas's The Spanish Civil War remains the best, most engrossing narrative of one of the most emblematic and misunderstood wars of the twentieth century. Revised and updated with significant new material, including new revelations about atrocities perpetrated against civilians by both sides in this epic conflict, this "definitive work on the subject" (Richard Bernstein, the New York Times) has been given a fresh face forty years after its initial publication in 1961.

Het schokkende verhaal van de man die gedwongen werd de oorlogsmisdaden van de nazi's vast te leggen. Iedereen kent de foto's van de gevangenen in Auschwitz en die van de slachtoffers van ­Mengeles wetenschappelijke onderzoeken. Maar wíe nam die foto's? Een SS'er? Mengele zelf? Wilhelm Brasse, gevangene nummer 3444 in ­Auschwitz, werd van 1940 tot 1945 gedwongen om met 'Deutsche Gründlichkeit' elk gruwelijk detail van het kampleven op foto's vast te leggen.