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Behind the Red Door

A Novel

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Behind the Red Door

Written by: Megan Collins
Narrated by: Patricia Santomasso, Alex Allwine
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About this listen

"A haunting thriller" (PopSugar) about a woman who believes that she has a connection to a decades-old kidnapping and begins a frantic investigation to find out what really happened when the victim goes missing again.

When Fern Douglas sees the news about Astrid Sullivan, a 34-year-old missing woman from Maine, she is positive that she knows her. Fern’s husband is sure it’s because of Astrid’s famous kidnapping - and equally famous return - 20 years ago, but Fern has no memory of that, even though it happened an hour outside her New Hampshire hometown. And when Astrid appears in Fern’s recurring nightmare, one in which a girl reaches out to her, pleading, Fern fears that it’s not a dream at all, but a memory.

Returning to her childhood home to help her father pack for a move, Fern purchases a copy of Astrid’s recently published memoir - which may have provoked her original kidnapper to abduct her again - and as she reads through its chapters and visits the people and places within it, she discovers more evidence that she has an unsettling connection to the missing woman. With the help of her psychologist father, Fern digs deeper, hoping to find evidence that her connection to Astrid can help the police locate her. But when Fern discovers more about her own past than she ever bargained for, the disturbing truth will change both of their lives forever in this "masterful meditation on fear" (Mindy Mejia, author of Strike Me Down).

©2020 Megan Collins Hatfield. All rights reserved. (P)2020 Simon & Schuster, Inc. All rights reserved.
Psychological Suspense Women's Fiction Fiction Disappearance Abduction
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Such a crazy turn of events!

Read this book within 2 days, once I got the curiosity about the kidnapped girl I couldn’t stop. This would make an excellent movie to be honest!

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Another weak female victim

No way could I get through the trembling, insipid recitation of this trash. Where do writers get the idea that readers appreciate weak, ineffectual female protagonists? If anything, they are nauseating.

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