Blood Brothers: Omnibus 1
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Narrated by:
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Patrick O'Connor
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Written by:
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JD Glasscock
About this listen
Two brothers, their Momma, and their pot bellied pig turned into 500lb Iron Tusk Boar, Dozer, face the end of all they know as the Earth is absorbed into something called War World.
On Earth, they were up and coming duo competitors in ACS (Armored Combat Sports), and it is with those skills they just might survive.
The first three audiobooks in a nine part series. This volume includes:
- Audiobook one: The Bones of Our Fathers
- Audiobook two: The Moon & The Night
- Audiobook three: Into the Gray
What listeners say about Blood Brothers: Omnibus 1
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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Performance
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Story
- Matt Hunt Gardner
- 2023-05-06
Ooooof that was a slog to finish
1) So this seems written by someone who has never talked to a human female. The idolization of dead soldier fathers, the obsession with protecting mothers/family/children, the extreme sexual objectification of female characters, etc. all suggest this series was written by a 15 year old unaware of the toxicity of his views of masculinity. There are numerous discussions of the huge size of the narrator MC’s penis and his frequent uncontrollable erections. This is <15 year old male author> writ large.
2) The story/world itself is compelling, but the way in which the author writes is also overwrought. The mixed metaphors and over complicated descriptions are tedious and make the main characters seem unnaturally intense. Again, this is immature writing.
3) Perhaps the whole series is satire. You would never know that from the straight forward narration of the voice actor. The biggest pet peeve I have of the performance is the unneeded use of bad heavy metal music any time combat occurs. The MC describes combat as being musical and he is explicit about the actual music going through his head. This music is almost categorically different from the actual music that is used in the background. Additionally, the voice actor frequently mispronounces words. This is especially egregious for the often used word “seax” (the type of knife used by the MC), which the voice actor pronounces as “sea-axe” instead of “sax”. But this is only one of many many examples. The voice actor also changes his voice/performance for different characters, but not in the direction that the text itself overtly describes. Just as with the music, the performance and the description are out of sync. This all makes the enjoyment of the book difficult.
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