It is 1987, and a small Irish community is preparing for a wedding. The day before the ceremony, a group of young friends, including the bride and groom, are involved in an accident. Three survive. Three are killed. The lives of the families are shattered and the rifts between them ripple throughout the small town. Connor survived, but living among the angry and the mourning is almost as hard as carrying the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him.

Porter Beck is the sheriff in the high desert of Nevada, north of Las Vegas. Born and raised there, he left to join the Army, where he worked in Intelligence, deep in the shadows in far off places. Now he's back home, doing the same lawman's job his father once did, before his father started to develop dementia. All is relatively quiet in this corner of the world, until on old, retired FBI agent is found killed. He was brutally tortured before he was killed and clues at the scene point to a mystery dating back to the early days of the nuclear age.

Lillian and Madison were unlikely roommates and yet inseparable friends at their elite boarding school. But then, Lillian had to leave the school unexpectedly in the wake of a scandal, and they’ve barely spoken since. Until now, when Lillian gets a letter from Madison pleading for her help. Madison’s twin stepkids are moving in with her family, and she wants Lillian to be their caretaker. However, there’s a catch: The twins spontaneously combust when they get agitated, flames igniting from their skin in a startling but beautiful way.

Rookie Det. Kenda investigates a 1975 case that begins with the murder of a beloved Colorado philanthropist and society figure whose husband, a gambler and womanizer, appears to have an air-tight alibi. Mentored by his veteran partner Det. Lee Wilson, a former Nashville singer turned skilled investigator, Kenda’s case quickly attracts attention from the FBI, CIA, and Interpol, for its similarity to a string of killings involving wealthy married women. All the murders appear to have been committed by a hired professional.

An explosive news story shatters Singapore’s famous tranquility—and sends a chill down the spine of every domestic worker. Flordeliza Martinez, a Filipina maid, has been arrested for murdering her female employer. The three women don’t know the accused well, but she could be any of them; every worker knows stories of women who were scapegoated or even executed for crimes they didn’t commit. Shocked into action, Donita, Corazon, and Angel will use their considerable moxie and insight to piece together the mystery of what really happened.

Ava thought her job as a librarian at the Library of Congress would mean a quiet, routine existence. But an unexpected offer from the US military has brought her to Lisbon with a new mission: posing as a librarian while working undercover as a spy gathering intelligence. Meanwhile, in occupied France, Elaine has begun an apprenticeship at a printing press run by members of the Resistance. It’s a job usually reserved for men, but in the war, those rules have been forgotten. Yet she knows that the Nazis are searching for the press and its printer in order to silence them.

Martha Ratliff conceded long ago that she’d likely spend her life alone. She was fine with it, happy with her solo existence, stimulated by her work as a librarian in Maine. But then she met Alan, a charming and sweet-natured salesman whose job took him on the road for half the year. When he asked her to marry him, she said yes, even though he still felt a little bit like a stranger.

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan.

Gela Nathaniel, head of Royal Hastings University’s new Multimedia Art course, must find six students from all walks of life across the United Kingdom for her new master’s program before the university cuts her funding. The students are nothing but trouble from day one. When the examiner, the man hired to grade students’ final workssifts through the students’ final essays, texts, and message boards, he becomes convinced that someone is in danger…or already dead.

An advertisement has been placed (again!) by the wealthy and eccentric Parloni Sisters. The salary is generous and the employers are 90 years old, so how hard could the job be? Well, none have lasted longer than a week. Most boys leave in tears. Ruthie Midona will work in Providence’s front office, and be at the Parlonis' beck and call, forever. That’s sort of her life plan. If Ruthie can run the place in her almost-retired bosses’ absence, with no hijinks/hiccups, she has a shot at becoming the new manager.

Mr. Shaitana is famous as a flamboyant party host. Nevertheless, he is a man of whom everybody is a little afraid. So when he boasts to Hercule Poirot that he considers murder an art form, the detective has some reservations about accepting a party invitation to view Shaitana's "private collection". Indeed, what begins as an absorbing evening of bridge is to turn into a more dangerous game altogether.

Alix St. Pierre. An unforgettable name for an unforgettable woman. She grew up surrounded by Hollywood glamor, but, as an orphan, never truly felt part of that world. In 1943, with WWII raging and men headed overseas to fight, she lands a publicity job to recruit women into the workforce. Her skills—persuasion, daring, quick-witted under pressure—catch the attention of the U.S. government and she finds herself with an even bigger assignment: sent to Switzerland as a spy. Soon Alix is on the precipice of something big, very big. But how far can she trust her German informant…?

In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place. Then she finds a strange book. A book that carries the scent of other worlds and tells a tale of secret doors, of love, adventure, and danger. Each page turn reveals impossible truths about the world, and January discovers a story increasingly entwined with her own.

It is 1951, and at number six Sycamore Street, fifteen-year-old Edie Green is lonely. Living with her eccentric mother and her mother's new boyfriend, she is desperate for something to shake her from her dull, isolated life. So when the popular, pretty Lucy Theddle befriends Edie, she thinks all her troubles are over. Even though Lucy has a secret, one Edie is not certain she should keep. Then Lucy goes missing. Now in 2018, Edie is eighty-four and still living in the same small town, when one afternoon she glimpses Lucy Theddle, still looking the same as she did at fifteen.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.