Stories of Your Life and Others presents characters who must confront sudden change-the inevitable rise of automatons or the appearance of aliens-while striving to maintain some sense of normalcy. In the amazing and much-lauded title story (the basis for the 2016 movie Arrival), a grieving mother copes with divorce and the death of her daughter by drawing on her knowledge of alien languages and non-linear memory recollection.

With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features all of Ken's award-winning and award-finalist stories.

In the world of Gnomon, citizens are constantly observed and democracy has reached a pinnacle of "transparency". Every action is seen, every word is recorded, and the System has access to its citizens' thoughts and memories - all in the name of providing the safest society in history. When suspected dissident Diana Hunter dies in government custody, it marks the first time a citizen has been killed during an interrogation. The System doesn't make mistakes, but something isn't right about the circumstances surrounding Hunter's death.

Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.

Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In “Bog Girl”, a revelatory story about first love, a young man falls in love with a 2,000-year-old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors”, two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. Plus much more.

As late summer 1951 descends on Elmira, New York, Myra Larkin, thirteen, the oldest child of a large Catholic family, meets a young man she believes to be Mickey Mantle. He chats her up at a local diner and gives her a ride home. The matter consumes her until later that night, when a triple homicide occurs just down the street, opening a specter of violence that will haunt the Larkins for half a century.

The world outside has grown toxic, the view of it limited, talk of it forbidden. The remnants of humanity live underground in a single silo. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they want: They are allowed to go outside.

From iconic books like Neuromancer to blockbuster films like The Matrix, virtual reality has long been hailed as the ultimate technology. But outside of a few research labs and military training facilities, this tantalizing vision of the future was nothing but science fiction. Until 2012, when Oculus founder Palmer Luckey - then just a rebellious teenage dreamer living alone in a camper trailer - invents a device that has the potential to change everything.

From best-selling author Neal Stephenson and critically acclaimed historical and contemporary commercial novelist Nicole Galland comes a captivating and complex near-future thriller combining history, science, magic, mystery, intrigue, and adventure that questions the very foundations of the modern world.

Behold the orphan. Born into a world that is not a world. A digital being grown from a mind seed, a genderless cybernetic citizen in a vast network of probes, satellites, and servers knitting the Solar System into one scape, from the outer planets to the fiery surface of the Sun. Since the Introdus in the 21st century, humanity has reconfigured itself drastically. Most chose immortality, joining the polises to become conscious software.

In Smoke and Mirrors, Gaiman's imagination and supreme artistry transform a mundane world into a place of terrible wonders - where an old woman can purchase the Holy Grail at a thrift store, where assassins advertise their services in the Yellow Pages under "Pest Control," and where a frightened young boy must barter for his life with a mean-spirited troll living beneath a bridge by the railroad tracks.

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider - a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur 90 years to complete, B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed.

It's 1994, and three stand-up comedians have embarked on a tour of smaller communities across a remote stretch of rural countryside. Dale is a forty-something comic from Chicago who's on the back half of a mediocre career and thinking about quitting the business. Rynn is a twenty-something fast-rising comedy star from Dublin with a big Hollywood break on her horizon. The third performer is a local act, a late addition to the bill who has agreed to open the shows and do all the driving. He goes by the name Hobie Huge, and he is, indeed, enormous.

The time: not so long from now. The place: AutoAmerica. The land: half under water. The Internet: one part artificial intelligence, one part surveillance technology, and oddly human - even funny. The people: Divided. The angel-fair "Netted" have jobs, and literally occupy the high ground. The "Surplus" live on swampland if they're lucky, on water if they're not. The story: To a Surplus couple - he once a professor, she still a lawyer - is born a Blasian girl with a golden arm. At two, Gwen is hurling her stuffed animals from the crib; by 10, she can hit whatever target she likes. Her teens find her happily playing in an underground baseball league.

Born in 1951 in an affluent Tokyo suburb, Hajime - beginning in Japanese - has arrived at middle age wanting for almost nothing. The postwar years have brought him a fine marriage, two daughters, and an enviable career as the proprietor of two jazz clubs. Yet a nagging sense of inauthenticity about his success threatens Hajime's happiness. And a boyhood memory of a wise, lonely girl named Shimamoto clouds his heart.