Ellie Fisher loves most things about being a nurse in the emergency department . . . just not working with Regina Novak, an icy attending physician who acts as if she's God's gift to medicine. The dislike is completely mutual. Regina thinks Ellie is a starry-eyed romantic with a sentimental attitude that has no place at work. When Regina gets talked into volunteering at a singles auction, Ellie accidentally bids on her—and ends up winning. Oops! Since the money raised is for a good cause, they reluctantly decide to go through with the dates.

Ellie Beckett's life is simple and uncomplicated; she's on track to become a leading expert in biomedical engineering, she has a pub where she feels comfortable enough to hang out multiple times a week, and so what if she doesn't have time for . . . people? She doesn't need or want them. Until she meets Mia Sharpe. As it turns out, maybe Ellie does want at least one person.

Six months ago, Ty Sutherland dropped out of an online sex chat group. It was anonymous. No one knew their real identity. And it was a space where they could finally be themselves. Unfortunately, it was also a space where they fell in love with a woman whose name they promised to forget. Leslie Brandt would like to forget the online sex chat group she joined on a whim. In real life, she's a successful realtor with a professional image to maintain. She'd never want anyone to know the kinky things she's fantasized about—even if maybe she wishes some of those things could actually happen.

Sure, lesbians love to bring a U-Haul on the second date. But what happens when the U-Haul crashes? For Amelia Stone, it's a literal question as much as a figurative one. When plans to move in with her girlfriend go sideways, she's left with more questions about their future than answers. It doesn't help that she's spending far more time with the paramedic who came to her rescue than the woman she's supposed to be in love with.

Since she was 14, singer Sophie James has been an international superstar. With her career (and life) directed by her manager, Ray, she hasn’t had to worry about a thing for more than a decade...not where she goes, not what she sings, not who she is. But when Ray has a heart attack, Sophie is left without the only real father figure she’s ever known and questioning everything she believes about what’s important to her. Enter Dana Landon, the new manager sent by Sophie’s record company.