In a sleepy seaside town in Maine, recently widowed Eveleth "Evvie" Drake rarely leaves her large, painfully empty house nearly a year after her husband’s death in a car crash. Everyone in town, even her best friend, Andy, thinks grief keeps her locked inside, and Evvie doesn’t correct them. Meanwhile, in New York City, Dean Tenney, former Major League pitcher and Andy’s childhood best friend, is wrestling with what miserable athletes living out their worst nightmares call the "yips": he can’t throw straight anymore, and, even worse, he can’t figure out why.

Maria’s one-night-stand—the thick-thighed, sexy Viking of a man she left without a word or a note—just reappeared. Apparently, Peter’s her surly Gods of the Gates co-star, and they’re about to spend the next six years filming on a desolate Irish island together. She still wants him…but he now wants nothing to do with her. Peter knows this role could finally transform him from a forgettable character actor into a leading man. He also knows a failed relationship with Maria could poison the set, and he won’t sabotage his career for a woman who’s already walked away from him once.

With wedding planning underway and a short timeline, my best friend, Lia, has recruited me to help her battle the snarly beast that is Mrs. Beaver. Not scared at all, I accept the challenge as her man-in-waiting--aka, man of honor--and take matters into my own hands. The only problem is, with every second we draw closer to the wedding, I'm starting to see my best girl in a different light. She's always been beautiful to me, but now . . . I find myself staring a touch too long. My hand lingering for one more minute. And when she's upset? Allowing her to sleep in my bed.

Savannah Cade's dreams are coming true. The Claire Donovan, editor-in-chief of the most successful romance publishing company in the country, has requested to see the manuscript Savannah's been secretly writing. The only problem: she's an editor for a different company, and their philosophy is only highbrow works are worth printing and romance should be reserved for the lowest level of Dante's inferno.

Florence Day is the ghostwriter for one of the most prolific romance authors in the industry, and she has a problem—after a terrible breakup, she no longer believes in love. It’s as good as dead. When her new editor, a too-handsome mountain of a man, won't give her an extension on her book deadline, Florence prepares to kiss her career goodbye. But then she gets a phone call she never wanted to receive, and she must return home for the first time in a decade to help her family bury her beloved father.