For decades, Nick Burns has been haunted by a decision he made as a young soldier in World War I, when a French artist he’d befriended thrust both her paintings and her baby into his hands—and disappeared. In 1974, with only months left to live, Nick enlists Jenny, a college dropout desperate for adventure, to help him unravel the mystery. The journey leads them from Paris galleries and provincial towns to a surprising place: the Museum of Tears, the life’s work of a lonely Italian craftsman.

Influencer Whitney Golden has it all: beautiful, photogenic children; a handsome new boyfriend; a gorgeous house; and designer clothes and beauty products that arrive on her doorstep every day. After spending years building her brand as a widowed mother of four (including twins!) to over a million followers, the thirty-seven-year-old is at the peak of her career. But it all comes to a screeching halt when Mia, her teenaged daughter, announces she’s tired of the social media life.

Everyone knows about the fight between Kathleen Walsh and her sister on the night she disappeared. For six months, no one has heard from Kathleen. Not her bullying husband, not her teenage son, and not her devastated sister Siobhan. But then Kathleen’s purse is found by a walker high up on the rocky Irish sea cliffs. The only thing inside is a torn scrap of paper with the words ‘HELP ME’. For Siobhan, it’s a chance to find her sister and fix the mistake she made six months ago. But not everyone in the tight-knit community welcomes Siobhan’s interest in the disappearance.

East House is the oldest and least desirable dorm on campus, but it has a draw for lonely university freshman Aleeza Kassam: Jay Hoque, the hot and broody student who vanished from East House five months ago without a trace. It’s irresistible to an aspiring investigative journalist like Aleeza. But when she starts receiving texts from Jay, the mystery takes an unexpected turn. To put it mildly.

Ten years ago, legendary author Riley Cannon produced three of the best-selling thriller novels of all-time. Then, she vanished, leaving the final three books of the saga unfinished and producing the biggest mystery in the history of publishing. Now, a decade later, there is word from her mega-agent, the glamorous and powerful Topaz Kennedy, that a new Cannon novel is all-but-finished. But, Topaz knows the truth: Riley Cannon hasn’t even started the book. With the clock counting down to the publication date, desperate measures are needed.

Dorothy Graham is dead, which is inconvenient, not least for her. Luckily, she has planned for this eventuality. Now, if any of the truly dreadful people she is related to want to get their hands on her money, they’re going to have to do so via a fiendish difficult and frankly bizarre competition of Dorothy’s devising. After all, just because you’re dead, it doesn’t mean you can’t enjoy a last laugh at the expense of people who made your life miserable.

Tig Costello has arrived in Darren, Kentucky, commissioned to paint a portrait honoring her grandfather Benjamin. His contributions to the rural Appalachian town and his unimpeachable war service have made him a local hero. But to Tig, he’s a relative stranger. To find out more about him, Tig wants to talk to the person who knew her grandfather best: Eloise Price, the woman who murdered him fifty years ago.

On a highway in Houston, Texas, Sarah LaBrie’s mother was found screaming at passing cars, terrified she would be murdered by invisible assailants. The diagnosis of schizophrenia that followed compelled Sarah to rethink her childhood, marked at turns by violence and all-consuming closeness. Digging into the events that led to her mother’s break, Sarah traces her family history of mental illness, from the dysphoria that plagued her great-grandmother, a granddaughter of slaves, to her own experience with depression as a scholarship student at Brown.

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

Everything is going to be perfect. Greyson comes home from deployment to live the life she and her husband Caden dreamed of. He has a surgical residency, and she has a psychiatric practice in the basement of their Manhattan brownstone. Caden loves his wife more than he can measure. But he starts hearing whispers. Someone else loves her. Someone else wants her. There's someone else, and though whoever's behind the whispers will move mountains to have her, Caden will move heaven and earth to keep her.

Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as we’ve known it.

It happens more than you might think. One second someone’s life is totally typical, the next it’s terribly tragic. Everything they had, everything they planned, everything they were, all of it vanishes in a flash. Shock and sorrow leave the victim staring into tomorrow’s void, wondering: How did it happen? Who did it? And why?

Successful screenwriter Finn Masters just landed his dream job writing for Neighbors, one of Hollywood's highest-rated, longest-running sitcoms. The only downside? It will put him back in proximity of the show’s universally adored, optimistic, altruistic star, Lavender Rhodes, who has been inadvertently ruining his life since they were school chums in England. But she doesn't even know she destroyed his acting career and wrecked his relationship with the love of his life.

After too many dates, thirtysomething Mimi Perkins is still single, unmoored, and longing for love. So when Ren Yardley—a handsome, divorced fellow drama teacher and single father—falls in love with her and proposes, she’s sure this is at last the good news her psychic predicted. Soon after proposing, Ren receives the devastating news that his ex-wife has been in a debilitating car accident, prompting him to temporarily move back into his former home to care for her and his daughters.

In this stunning debut novel, four generations of complex Black women contend with motherhood and daughterhood, generational trauma and the deeply ingrained tensions and wounds that divide them as they redefine happiness and healing for themselves. In masterful, elegant prose, debut novelist Sarai Johnson has created a rich and moving portrait of Black women’s lives today.