When horror writer Nick Steen gets sucked into a cursed typewriter by the terrifying Type-Face, Dark Lord of the Prolix, the hellish visions inside his head are unleashed for real. Forced to fight his escaping imagination - now leaking out of his own brain - Nick must defend the town of Stalkford from his own fictional horrors, including avascular-necrosis-obsessed serial killer Nelson Strain and Nick's dreaded throppleganger, the Dark Third.

All 10 episodes of the dark, surreal comedy featuring Matt Berry's twisted regression therapist. Unorthodox, unpredictable and verging on the unprofessional, Dr Berry is a deeply disturbing hypnotherapist. His experimental regressive technique is both strange and terrifying and involves taking unsuspecting clients on unsettling journeys through their subconscious.

In Toast on Toast - part memoir, part "how to act" manual - Steven Toast draws on his vast and varied experiences, providing the reader with an invaluable insight into his journey from school plays to RADA and from "It's a Right Royal Knockout" to the Colony Club. Along the way he reveals the secrets of his success. He discloses how to brush up on and expand your technical and vocal skills, how to nail a professional voiceover, and how to deal with difficult work experience staff in a recording studio....

Broadcaster, writer, philanthroper and one of the first public figures to suggest high-visibility clothing for people manning temporary car parks, the public Alan Partridge is a cherished institution. But what of the unseen Alan? For the first time, this famously private man welcomes us into his home and audibly deshrouds himself for a fascinating series of podcasts.

In Big Beacon, Norwich's favourite son and best broadcaster, Alan Partridge, triumphs against the odds. TWICE. Using an innovative 'dual narrative' structure you sometimes see in films, Big Beacon tells the story of how Partridge heroically rebuilt his TV career, rising like a phoenix from the desolate wasteland of local radio to climb to the summit of Mount Primetime and regain the nationwide prominence his talent merits.

In Alan Partridge: Nomad, Alan dons his boots, windcheater and scarf and embarks on an odyssey through a place he once knew - it's called Britain - intent on completing a journey of immense personal significance. Diarising his ramble in the form of a 'journey journal', Alan details the people and places he encounters, ruminates on matters large and small and, on a final leg fraught with danger, becomes not a man (because he was one to start off with) but a better, more inspiring example of a man.

The Mighty Boosh is unlike any show you are ever likely to hear, and one that defies description; the closest you could get to the unique style of Julian Barratt and Noel Fielding would be in the early days of Reeves and Mortimer, with their cardboard props and men with sticks.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

At last, the definitive audiobook about perhaps the best cabin crew dramedy ever filmed: View from the Top starring Gwyneth Paltrow. In Ayoade on Top, Richard Ayoade, perhaps one of the most 'insubstantial' people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don't care about. It's a journey deep within, in a way that's respectful and non-invasive; a journey for which we will all pay a heavy price, even if you've waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece.

In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits.