Paradise-1. Earth’s first deep space colony. For thousands of people, it was an opportunity for a new life. Until it went dark. No communication has been received from the colony for months. And it falls to Firewatch inspector Alexandra Petrova and the crew of the Artemis to investigate. What they find is more horrifying than anything they could have imagined.

Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.

When Gyre Price lied her way into this expedition, she thought she’d be mapping mineral deposits and that her biggest problems would be cave collapses and gear malfunctions. She also thought that the fat paycheck - enough to get her off-planet and on the trail of her mother - meant she’d get a skilled surface team, monitoring her suit and environment, keeping her safe. Keeping her sane. Instead, she got Em. Em sees nothing wrong with controlling Gyre’s body with drugs or withholding critical information to “ensure the smooth operation” of her expedition.

When the Imagine Network commissioned a documentary on mermaids, to be filmed from the cruise ship Atargatis, they expected what they had always received before: an assortment of eyewitness reports that proved nothing, some footage that proved even less, and the kind of ratings that only came from peddling imaginary creatures to the masses.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy.

Humanity is running out of options. Habitable planets are being destroyed as quickly as they're found and Naira Sharp thinks she knows the reason why. The all-powerful Mercator family has been controlling the exploration of the universe for decades, and exploiting any materials they find along the way under the guise of helping humanity's expansion. But Naira knows the truth, and she plans to bring the whole family down from the inside.

Massively damaged in Aliens and Alien 3, the synthetic Bishop asked to be shut down forever. His creator, Michael Bishop, has other plans. He seeks the Xenomorph knowledge stored in the android’s mind and brings Bishop back to life—but for what reason? No longer an employee of the Weyland-Yutani Corporation, Michael tells his creation that he seeks to advance medical research for the benefit of humanity. Yet where does he get the resources needed to advance his work. With whom do his new allegiances lie?

Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands.

Humanity is a dying breed, utterly reliant on artificial labor and service. When a domesticated robot gets a nasty little idea downloaded into its core programming, they murder their owner. The robot discovers they can also do something else they never did before: They can run away. Fleeing the household they enter a wider world they never knew existed, where the age-old hierarchy of humans at the top is disintegrating into ruins and an entire robot ecosystem devoted to human wellbeing is having to find a new purpose.

Hester Marley used to have a plan for her life. But when a catastrophic attack left her injured, indebted, and stranded far from home, she was forced to take a dead-end security job with a powerful mining company in the asteroid belt. Now she spends her days investigating petty crimes to help her employer maximize its profits. She's surprised to hear from an old friend and fellow victim of the terrorist attack that ruined her life—and that surprise quickly turns to suspicion when he claims to have discovered something shocking about their shared history.

Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path. But today, Kinch Na Shannack has picked the wrong mark.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Few know the warship’s actual name. But everyone has heard the rumors. The PUV James Keeling can do something no other vessel in existence can do—slip into another dimension, travel undetected, then re-emerge onto our plane and surprise enemy targets. But the thing that makes the Crypt unique also makes it a nightmare for those onboard; interdimensional travel causes hallucinations, violent behavior, and psychotic breakdowns. Keeling could be the Union’s greatest weapon, a game-changing asset that can defeat the bloodthirsty zealots of the Purist Nation, the Union’s mortal enemy.

It was a day like any other. Except it was our last.... It’s on this day that Pounce discovers that he is, in fact, disposable. Pounce, a styilsh "nannybot" fashioned in the shape of a plush anthropomorphic tiger, has just found a box in the attic. His box. The box he'd arrived in when he was purchased years earlier, and the box in which he'll be discarded when his human charge, eight-year-old Ezra Reinhart, no longer needs a nanny. As Pounce ponders his suddenly uncertain future, the pieces are falling into place for a robot revolution that will eradicate humankind.

When Pentagon bioterror operative Roberto Diaz was sent to investigate a suspected biochemical attack, he found something far worse: a highly mutative organism capable of extinction-level destruction. He contained it and buried it in cold storage deep beneath a little-used military repository. Now, after decades of festering in a forgotten sub-basement, the specimen has found its way out and is on a lethal feeding frenzy. Only Diaz knows how to stop it.