In spite of the hyper-connected culture we live in today, women still feel shamed for oversharing and being publicly vulnerable. And no matter how many friends we seem to have, many of us are still desperately lonely. Laura Tremaine, blogger and podcaster behind 10 Things to Tell You, says it's time for something better. Openness and vulnerability are the foundation for human growth and healthy relationships, and it all starts when we share our stuff, the nitty-gritty daily details about ourselves with others.

Perle Mesta was a force to be reckoned with. In her heyday, this wealthy globe-trotting Washington widow was one of the most famous women in America, garnering as much media attention as Eleanor Roosevelt. Renowned for her world-class parties featuring politicians and celebrities, she was very close to three presidents–Harry Truman, Dwight Eisenhower and Lyndon Johnson. Truman named her as the first female envoy to Luxembourg, which inspired the hit musical based on Perle’s life – “Call Me Madam” – which starred Ethel Merman, ran on Broadway for two years and later became a movie.

Dorothy Graham is dead, which is inconvenient, not least for her. Luckily, she has planned for this eventuality. Now, if any of the truly dreadful people she is related to want to get their hands on her money, they’re going to have to do so via a fiendish difficult and frankly bizarre competition of Dorothy’s devising. After all, just because you’re dead, it doesn’t mean you can’t enjoy a last laugh at the expense of people who made your life miserable.

Washington’s End begins where most biographies of George Washington leave off, with the first president exiting office after eight years and entering what would become the most bewildering stage of his life. Embittered by partisan criticism and eager to return to his farm, Washington assumed a role for which there was no precedent at a time when the kings across the ocean yielded their crowns only upon losing their heads. In a different sense, Washington would lose his head, too.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

On a cold winter’s evening in 1987, six middle-school paperboys wander an unfamiliar Milwaukee neighborhood, selling newspaper subscriptions, fueled by their manager Kevin’s promises of cash bonuses and dinner at Burger King. But the freaks come out at night in Hampton Heights. Sent out into the neighborhood in pairs, the boys will encounter a host of primordial monsters—and triumph over them.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

On a highway in Houston, Texas, Sarah LaBrie’s mother was found screaming at passing cars, terrified she would be murdered by invisible assailants. The diagnosis of schizophrenia that followed compelled Sarah to rethink her childhood, marked at turns by violence and all-consuming closeness. Digging into the events that led to her mother’s break, Sarah traces her family history of mental illness, from the dysphoria that plagued her great-grandmother, a granddaughter of slaves, to her own experience with depression as a scholarship student at Brown.

A haunting and beautiful memoir from a Cambodian refugee who lost her country and her family during Pol Pot's genocide in the 1970s but who finds hope by reclaiming the recipes she tasted in her mother's kitchen.

It happens more than you might think. One second someone’s life is totally typical, the next it’s terribly tragic. Everything they had, everything they planned, everything they were, all of it vanishes in a flash. Shock and sorrow leave the victim staring into tomorrow’s void, wondering: How did it happen? Who did it? And why?

Independent rapper, songwriter, singer, and producer Russ sells out concerts across America and around the globe, collaborating with top artists, such as Snoop Dogg, Joey Bada$$, Ed Sheeran, Rick Ross, Lil Baby, Jadakiss, Bia, and Mozzy to name a few. At twenty-seven, he became a bestselling author with the publication of his debut book, IT’S ALL IN YOUR HEAD. Now, at thirty-one, Russ returns with a second book even more profound and intimate than his first.

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

Ruby Young's new Boston apartment comes with all the usual perks. Windows facing the brick wall of the next-door building. Heat that barely works. A malfunctioning buzzer. Noisy neighbors. A dead body on the sidewalk outside. And of course, a ghost. Since Cordelia Graves died in her apartment a few months ago, she's kept up her residency, despite being bored out of her (non-tangible) skull and frustrated by her new roommate. When her across-the-hall neighbor, Jake Macintyre, is shot and killed in an apparent mugging gone wrong outside their building, Cordelia is convinced there’s more to it.

A welcoming refuge with its tempting pantry, shelves of books and inquisitive dog, Caroline Eden finds comfort away from the road in her basement Edinburgh kitchen. Join her as she cooks recipes from her travels, reflects on past adventures and contemplates the kitchen’s unique ability to tell human stories. This is a hauntingly honest, and at times heartbreaking, memoir with the smell, taste and preparation of food at its heart.

When there is a call, there is often a response. Najeeba knows. She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest.