In Montmartre
Picasso, Matisse and the Birth of Modernist Art
Failed to add items
Add to Cart failed.
Add to Wish List failed.
Remove from wish list failed.
Follow podcast failed
Unfollow podcast failed
Buy Now for $23.31
No default payment method selected.
We are sorry. We are not allowed to sell this product with the selected payment method
-
Narrated by:
-
Emma Bering
-
Written by:
-
Sue Roe
About this listen
A lively and deeply researched group biography of the figures who transformed the world of art in bohemian Paris in the first decade of the 20th century. In Montmartre is a colorful history of the birth of Modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris’s famous windmill-topped district. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joins the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more, in revolutionizing artistic expression.
Sue Roe has blended exceptional scholarship with graceful prose to write this remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of movements like Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. Relating the colorful lives and complicated relationships of this dramatic bohemian scene, Roe illuminates the excitement of the moment when these bold experiments in artistic representation and performance began to take shape.
A thrilling account, In Montmartre captures an extraordinary group on the cusp of fame and immortality. Through their stories, Roe brings to life one of the key moments in the history of art.
©2015 Sue Roe (P)2015 Penguin AudioWhat the critics say
"Lively and engaging...[Readers] will find a fresh sense of how all these people - the geniuses and the hangers-on, the wealthy collectors and the unworldly painters - related to each other...In [Roe’s] entertaining, ingeniously structured account Roe brings Montmatre’s hedyday back to life." (Sunday Times - London)
"With evocative imagery Roe sketches out the intensely visual spectacle on which Montmatre’s artistic community was able to draw...Roe is particularly good at communicating the extraordinary devotion of Matisse and Picasso to their work." (Financial Times)
"Engaging and insightful.... Roe assembles the complex, disparate developments of the decade into a compulsively readable, fascinating story." (Christian Science Monitor)
What listeners say about In Montmartre
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
-
Overall
-
Performance
-
Story
- Anonymous User
- 2019-02-08
Accents
The content is wonderfully thoughtfully written and well researched. However I found myself distracted by the overly ambitious accents to every name and French reference. I understand there is a balancing act to maintain as this is dealing with a lot of French characters and places. It became humorous when a thickly Parisienne accent was given to the American Isadora Duncan. It was quite over the top. I spent years living in Paris, but I found myself giggling and shaking my head, regardless. I don’t think you’ll enjoy this reading without a working knowledge of French
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!
-
Overall
-
Performance
-
Story
- BH
- 2017-10-30
A pleasant surprise...
Was searching for a strictly Picasso biography but previewed this and loved the sound of the narrator's voice, learned quite a bit I hadn't previously even considered about the takeoff of 20th century art in its first decade. Loved the interweaving narrative of various artist's lives and how they interacted with each other in those formative years in a way that totally flies in the face of how you might perceive them when they're just names in a textbook assigned to a specific period of overlapping (but seemingly completely independent) timelines.
Something went wrong. Please try again in a few minutes.
You voted on this review!
You reported this review!