Everyone Anton Waker grew up with is corrupt. His parents dealt in stolen goods, and he was a successful purveyor of forged documents until he abandoned it all in his early twenties, determined to live a normal life, complete with career, apartment, and a fiancée who knows nothing of his criminal beginnings. He’s on the verge of finally getting married when Aria—his cousin and former partner in crime—blackmails him into helping her with one last job.

Gavin Sasaki was a promising young journalist in New York City until the day he was fired for plagiarism. The last thing he wants is to sell foreclosed real estate for his sister Eilo's company in their Florida hometown, but he's in no position to refuse her job offer. Plus, there's another reason to go home: Eilo recently met a 10-year-old girl who looks very much like Gavin and has the same last name as his high-school girlfriend, Anna, who left town abruptly after graduation.

Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.

In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus. Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy.

In Téa Mutonji’s disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides to shave her head in the waiting room of an abortion clinic. These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator’s experience as an involuntary one.