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What a Way to Go

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What a Way to Go

Written by: Bella Mackie
Narrated by: Kimberley Capero, Gabrielle Glaister, Colin Mace
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THE MILLION COPY #1 BESTSELLING AUTHOR OF HOW TO KILL YOUR FAMILY IS BACK WITH THE NEW BOOK OF THE MOMENT

Delicious' JOJO MOYES

'Very funny… I inhaled it' JOE LYCETT

‘Taut, pacy, seamless… a huge pleasure to read’ MARIAN KEYES

‘Like Succession rewritten by Agatha Christie’ MAIL ON SUNDAY

One wealth-obsessed man, who is also dead.

One status-obsessed woman, who is the perfect accessory.

Their four inheritance-obsessed children, each with a killer instinct.

And a murder-obsessed outsider looking to expose them all…

‘Super-sharp, lethally witty’ NIGELLA LAWSON

‘Mackie has assembled a gloriously repugnant cast – everyone here, apart from her rather sweet TikTok sleuth, is dreadful, but in a pleasurably awful way… A dark, funny story of a very dysfunctional familyOBSERVER

Wonderfully wickedRED MAGAZINE

Ferociously entertainingGOOD HOUSEKEEPING

‘Gripping, sharp and funny, this window on the mega-wealthy is perfect for fans of SuccessionWOMAN & HOME

‘Another caustic satire from the million-copy bestseller of How to Kill Your Family i NEWS

'Still not over Succession? A dysfunctional family with four inheritance-obsessed children gives the Roy clan a run for its money, with a murderous twist' SUNDAY TIMES STYLE

What A Way To Go was a Sunday Times bestseller w/c 16.09.24

©2024 Bella Mackie (P)2024 HarperCollins Publishers
Amateur Sleuth Crime Fiction Genre Fiction Literary Fiction Literature & Fiction Marriage Witty

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Appalling Narration

Usually if one of three narrators is off, you can skip it, and let the other two carry the story. Alas, in 'What a Way to Go,' all three are unbearable. Gabrielle Glaister, who reads the role of Mrs Olivia Wistern, has a terrible habit of punching every second syllable of every word she reads, similar stylistically to an evangelical preacher. To add insult to injury, the volume of her voice rises to nearly a screech and then lowers to nearly inaudible so many times in a single paragraph that it's impossible to moderate it by adjusting the speakers. Either way, you're bound to hear every second syllable at top volume, and the balance of each paragraph not at all. Colin Mace, who reads the part of Mr Antony Wistern, is the most listenable of the three but that's only because his voice is lower, which hides a lot of sins. The fact that much of the novel is narrated by his character from beyond the grave in some sort of fantastical "afterlife" is the icing on the crap cake. The part of the true crime junkie is read by Kimberley Capero, who swallows too many consonants, and the character she plays is insufferable. If you must read this book, read it in print.

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