The Shape of Water is set in Cold War-era Baltimore at the Occam Aerospace Research Center, which has recently received its most sensitive asset ever: an amphibious man captured in the Amazon. What unfolds is a stirring romance between the asset and one of the janitors on staff, a mute woman who uses sign language to communicate with the creature.

Chuck Ramsey is a traveling con man fronting as a comedian. After a gig on Earth, he picks Mordecai The Brown, a hitchhiking wizard on the run from his own kind. Chuck's ship, the Radio City, is a Winnebego of the stars, serving as both home and transport as he schemes and scams across the galaxy with his family. The pair form an unlikely bond, and "Mort" becomes a part of that family. The Ramseys, wizard in tow, embark on a journey of criminal hijinks, magical mayhem, and evasion of consequences for both.

The Imperial Guard are the backbone of the Imperium’s military strength. While the Space Marines get all the glory, it’s the guard that holds back the tide of threats that would soon drown the Imperium by sheer weight of numbers. These audio dramas bring you into their tanks, platoons and trenches to see how ordinary men and women face the horrors of the 41st Millennium.

Ever since Colin Firth's Mr Darcy emerged from the lake in the BBC adaptation of Pride and Prejudice, the novels of Jane Austen have become more popular than ever, delighting millions of fans all over the world. Now, Alison Larkin's critically acclaimed narrations of Austen's six completed novels are brought together in this very special 200th anniversary audio edition. "Alison Larkin's narration will captivate listeners from the first sentence" raves AudioFile magazine about the Earphones Award-winning recording of Sense and Sensibility, which starts the collection.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.