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Poguemahone
- Narrated by: Patrick McCabe
- Length: 15 hrs and 58 mins
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Poguemahone
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Publisher's Summary
A swirling, psychedelic, bleakly funny fugue by the Booker-shortlisted author of The Butcher Boy and Breakfast on Pluto
Una Fogarty, suffering from dementia in a seaside nursing home, would be all alone without her brother Dan, whose epic free-verse monologue tells their family story. Exile from Ireland and immigrant life in England. Their mother’s trials as a call girl. Young Una’s search for love in a seemingly haunted hippie squat, and the two-timing Scottish stoner poet she’ll never get over. Now she sits outside in the sun as her memories unspool from Dan’s mouth and his own role in the tale grows ever stranger—and more sinister.
A swirling, psychedelic, bleakly funny fugue, Patrick McCabe’s epic reinvention of the verse novel combines Modernist fragmentation and Beat spontaneity with Irish folklore, then douses it in whiskey and sets it on fire. Drinking song and punk libretto, ancient as myth and wholly original, Poguemahone is the devastating telling of one family’s history—and the forces, seen and unseen, that make their fate.
What the critics say
“Poguemahone is like a high dive: The toughest part of reading it might be convincing your feet to leave the board. Once you’ve done that, gravity does the rest.” — John Williams, New York Times
“McCabe draws the reader into a rambling web replete with Gaelic folklore, IRA agitation, and a soundtrack of glam and progressive rock. Lively and ambitious in form, this admirably extends the range of McCabe’s career-long examination of familial and childhood trauma.” — Publishers Weekly
“Poguemahone is a shape-shifting epic of the Irish in England, steeped in music and folklore, crammed with characters, both real and imagined, on a scale McCabe has never attempted before. Indeed, among his 14 novels and two Booker Prize nominations, this stands out as risky, experimental work by an artist reluctant to rest on his laurels. Modernist and eager to push the boundaries of his own art and the art form of the novel, here is a novelist and novel to celebrate in all their ribald, audacious, outrageous, and compelling brilliance.” — Paul Perry, The Independent (Ireland)