Alice in Chains was the first of grunge's big four - ahead of Nirvana, Pearl Jam, and Soundgarden - to get a gold record and achieve national recognition. With the charismatic Layne Staley behind the microphone, they became one of the most influential and successful bands to come out of the Seattle music scene. But as the band got bigger, so did its problems.

Patty Schemel was a drummer at the epicenter of the Seattle grunge scene in the early '90s, best known for her work with the alternative rock band Hole. Hit So Hard begins with stories from a childhood informed by the AA meetings Schemel's parents hosted in the family living room. Their divorce triggered her rebellious adolescence and first forays into drinking at age 11, which coincided with her passion for punk rock and playing drums.

Grunge’s golden era gave us some of the greatest rock voices of all-time–Chris Cornell, Kurt Cobain, Layne Staley, Eddie Vedder, and of course, Mark Lanegan. During a recording career that spanned several decades, Lanegan’s unmistakable and instantly-recognizable vocals were featured on classic recordings as a member of various groups (Screaming Trees, Queens of the Stone Age), plus collaborations (Isobel Campbell, Greg Dulli), guest spots (UNKLE, Soulsavers), and steady solo work.

An insider biography of the Black Crowes by drummer and cofounder Steve Gorman. In his first-person history of the Black Crowes, Hard To Handle - the first ever account of this great American rock band's beginning, middle, and end - Gorman makes it clear just how impossible that job was. Fortunately, Gorman tells the tale with great insight, candor, and humor. They don't make bands like the Black Crowes anymore: crazy, brilliant, self-destructive, inspiring, and, ultimately, not built to last. But, man, what a ride it was while it lasted.

When Kurt Cobain died by his own hand in April 1994, it was an act of will that typified his short, angry, inspired life. Veteran music journalist Charles R. Cross fuses his intimate knowledge of the Seattle music scene with his deep compassion for his subject in this extraordinary story of artistic brilliance and the pain that extinguished it.

This is the never-before-told story of the musical revolution that happened right under the nose of the Reagan '80s - when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives reenergized American rock with punk rock's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith has been recognized as an indie rock classic in its own right.

In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr., Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s - until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. This investigative deep-dive leads listeners through SST’s tumultuous history.

Geddy Lee is one of rock and roll's most respected bassists. For nearly five decades, his playing and work as co-writer, vocalist and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. Here for the first time is his account of life inside and outside the band.

Total F*cking Godhead is the complete story of the complex and enigmatic artist, Chris Cornell. It's the riveting account of a blue collar, high-school dropout emerging from Seattle, Washington, to become one of the greatest singer-songwriters and voices of his generation. With input from people who knew and worked with him - together with Cornell's own words - the book recounts in great detail the rise of his immortal band Soundgarden as they emerged from the 1980s post-punk underground to dominate popular culture in the '90s alongside other Seattle bands like Pearl Jam.

In 1984, at the age of 20, Duff McKagan left his native Seattle - partly to pursue music, but mainly to get away from a host of heroin overdoses then-decimating his closest group of friends in the local punk scene. In LA only a few weeks and still living in his car, he answered a want ad for a bass player placed by someone who identified himself only as "Slash." Soon after, the most dangerous band in the world was born. Guns N' Roses went on to sell more than 100 million albums worldwide.