Zoey Andrews lives and breathes Christmas. She loves everything about the season, and after years of directing countless holiday movies, she certainly knows her way around a festive tale. So, when she finally gets the chance to bring her own script to life, she isn't about to let anything, or anyone, stand in her way—not even the stupidly sexy, utterly frustrating plaid-clad tree farmer Benoît Deschamps. Moonlighting as mayor of Chelsea—the cozy Quebec hamlet at the center of Zoey's screenplay—Ben maddeningly refuses to grant her a film permit in his enchanting town.

Laid off from her department store job, Carmen has perilously little cash and few options. The prospect of spending Christmas with her perfect sister Sofia, in Sofia’s perfect house with her perfect children and her perfectly ordered yuppie life, does not appeal. Frankly, Sofia doesn’t exactly want her prickly sister Carmen there, either. But Sofia has yet another baby on the way, a mother desperate to see her daughters get along, and a client who needs help revitalizing his shabby old bookshop. So Carmen moves in and takes the job.

Wildly different half sisters Maggie, Simone, and Star have hardly seen one another since their sprightly summers at Rowan Thorp, their eccentric father Augustus’s home. Known for his bustling approach to the knick-knack shop he ran, Augustus was loved by all and known by none, not even his daughters. Now, years later, the three estranged women are called upon for the reading of Augustus’s will and quickly realize he's orchestrated a series of hoops through which they must jump to unlock their inheritance.

Molly and Andrew are just trying to get home to Ireland for the holidays when a freak snowstorm grounds their flight. As the snow falls over the city and over the heads of two friends who are sure they’re not meant to be together, the universe might just have a plan of its own.

When Iris decides to move to New York to restart her life, she realizes she underestimated how big the Big Apple really is—all the nostalgic movies set in New York she’d watched with her mom while eating their special secret-recipe gelato didn’t quite do it justice. But Bobby, Iris’s best friend, isn’t about to let her hide away. He drags her to a famous autumn street fair in Little Italy, and as they walk through the food stalls, a little family-run gelateria catches her eye—could it be the same shop that’s in an old photo of her mother’s?

Laurel Grant works as the social media manager for Buckeye State of Mind, an Ohio tourism magazine and website. She most definitely does not run a farm . . . but one tiny misunderstanding leads her boss, Gilbert, to think she owns her twin sister Holly’s farm just outside of Columbus. Laurel only handles the social media for the farm, but she’s happy to keep her little white lie going if it means not getting fired—she cannot be jobless again. And keep it going she must when Gilbert, recently dumped by his wife, invites himself over for the farm’s big Christmas Eve Eve dinner.

When it comes to relationships, 34-year-old Kate Turner is ready to say "Bah, humbug". The sleepy town of Blexford, England, isn't exactly brimming with prospects, and anyway, Kate's found fulfillment in her career as a designer and in her delicious side job baking for her old friend Matt's neighborhood café. But then her best friend signs her up for a dating agency that promises to help singles find love before the holidays. Twenty-three days until Christmas. Twelve dates with 12 different men. The odds must finally be in her favor...right?

Maya Bashir is dreading her drive home for Christmas and having to explain that she's just left her high-paying job and a long-term relationship, so a brief detour to her friend’s festive party doesn’t seem like such a bad idea. Until Maya walks in to find the last person she wants to see. Sam, the boy who broke her heart eight years ago. And he’s serving drinks. Naked.

Ever since a car accident tore her family apart, Holly has been part of a lonely-hearts holiday letter–writing club. Each December, she writes to a stranger who is also spending Christmas alone, and receives a letter from another lonely person in return. Usually, the letters go unanswered. That’s the point—the letters are anonymous, and the senders write whatever is in their heart. But this year, the letter Holly receives is different; not only is the letter full of a grief she knows all too well, but its writer, Emma, mentions a place that Holly has visited.

Lucy Young is twenty-six and tired. Tired of fetching coffees for senior TV producers, sick of going on disastrous dates, and done with living in a damp flat with roommates who never buy toilet paper. After another disappointing date, Lucy stumbles upon a wishing machine. Pushing a coin into the slot, Lucy closes her eyes and wishes with all her might: Please, let me skip to the good part of my life.