When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break - a barren field on an isolated strip of land outside her house - she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim - police, family, and friends - tell their personal stories leading up to that fateful night.

There have been many Clayton Thomas-Mullers: The child who played with toy planes as an escape from domestic and sexual abuse, enduring the intergenerational trauma of Canada's residential school system; the angry youngster who defended himself with fists and sharp wit against racism and violence, at school and on the streets of Winnipeg and small-town British Columbia; the tough teenager who, at 17, managed a drug house run by members of his family, and slipped in and out of juvie, operating in a world of violence and pain.

Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium, all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years in films and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew.

For writer and human rights advocate Amanda Jetté Knox, the inspiring story of her family’s journey of love and acceptance, when both her child and partner came out as transgender one after the other, was the hopeful beginning to their new lives. Their tale, shared in her memoir Love Lives Here and embraced by readers everywhere, quickly found its way to the top of bestseller lists.

Adichie illuminates a seminal moment in modern African history: Biafra’s impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a 13-year-old houseboy working for Odenigbo, a university professor full of revolutionary zeal; Olanna, the professor’s beautiful young mistress who's abandoned her life in Lagos for a dusty town and her lover’s charm; and Richard, a shy young Englishman infatuated with Olanna’s willful twin sister Kainene.

Four chronically homeless people - Amelia One Sky, Timber, Double Dick and Digger - seek refuge in a warm movie theater when a severe Arctic front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world and, once the weather clears, continue their trips to the cinema. On one of these outings they meet Granite, a jaded and lonely journalist who has turned his back on writing “the same story over and over again” in favor of the escapist qualities of film, and an unlikely friendship is struck.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

From the lush fields of his boyhood in Jamaica, to the basketball courts of Oakville, where he came of age in one of Canada’s most thriving cultural mosaics, to his sprint toward double Olympic gold for Canada in Atlanta in 1996, Donovan Bailey got a long way on natural talent. But he also learned that in the bureaucratic world of Canadian sports, an athlete who didn't come up in the system needed to take charge of his fate if he was going to become the world’s best.

England, 1364: When married off at aged twelve to an elderly farmer, brazen redheaded Eleanor quickly realizes it won’t matter what she says or does, God is not on her side—or any poor woman’s for that matter. But then again, Eleanor was born under the joint signs of Venus and Mars, making her both a lover and a fighter.

Helen Knott, a highly accomplished Indigenous woman, seems to have it all. But in her memoir, she offers a different perspective. In My Own Moccasins is an unflinching account of addiction, intergenerational trauma, and the wounds brought on by sexual violence. It is also the story of sisterhood, the power of ceremony, the love of family, and the possibility of redemption.

A Town Called Solace, the brilliant and emotionally radiant new novel from Mary Lawson, her first in nearly a decade, opens on a family in crisis. Sixteen-year-old Rose is missing. Angry and rebellious, she had a row with her mother, stormed out of the house and simply disappeared. Left behind is seven-year-old Clara, Rose’s adoring little sister. Isolated by her parents’ efforts to protect her from the truth, Clara is bewildered and distraught.

In the winter of 2008, as snow falls without interruption, an actor in a Beckett play blanks on her lines. Fleeing the theatre, she beats a retreat into her past and arrives at Snow Road Station, a barely discernible dot on the map of Ontario. The actor is Lulu Blake, in her sixties now, a sexy, seemingly unfooled woman well-versed in taking risks. Out of work, humiliated, she enters the last act of her life wondering what she can make of her diminished self.

Born in 1905, Daisy Goodwill Flett drifts through the chapters of childhood, marriage, widowhood, remarriage, motherhood, and old age, bewildered by her inability to understand her own role in the unsettled decades of the twentieth century. At last, reflecting on her unobserved and unconventional life, Daisy attempts to find a way to tell her story within a novel that is itself about the limitations of autobiography.

Brilliantly executed and compulsively listenable, Unsheltered is the story of two families, in two centuries, who live at the corner of Sixth and Plum, as they navigate the challenges of surviving a world in the throes of major cultural shifts. In this mesmerizing story told in alternating chapters, Willa and Thatcher come to realize that though the future is uncertain, even unnerving, shelter can be found in the bonds of kindred - whether family or friends - and in the strength of the human spirit.