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The Come Up

Written by: Jonathan Abrams
Narrated by: Dion Graham, Diontae Black, Torian Brackett, Langston Darby, James Fouhey, Kevin R. Free, Dominic Hoffman, JD Jackson, Terrence Kidd, January LaVoy, Adam Lazarre-White, Leon Nixon, Reynaldo Piniella, Malik Rashad
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Publisher's Summary

The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture—from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire

The Come Up is Abrams at his sharpest, at his most observant, at his most insightful.”—Shea Serrano, #1 New York Times bestselling author of Hip-Hop (And Other Things)

ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, The Guardian, Spin

The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language.

And yet, the stories of many hip-hop pioneers and their individual contributions in the pre-Internet days of mixtapes and word of mouth are rarely heard—and some are at risk of being lost forever. Now, in The Come Up, the New York Times bestselling author Jonathan Abrams offers the most comprehensive account so far of hip-hop’s rise, a multi-decade chronicle told in the voices of the people who made it happen.

In more than three hundred interviews conducted over three years, Abrams has captured the stories of the DJs, executives, producers, and artists who both witnessed and themselves forged the history of hip-hop. Masterfully combining these voices into a seamless symphonic narrative, Abrams traces how the genre grew out of the resourcefulness of a neglected population in the South Bronx, and from there how it flowed into New York City’s other boroughs, and beyond—from electrifying live gatherings, then on to radio and vinyl, below to the Mason-Dixon Line, west to Los Angeles through gangster rap and G-funk, and then across generations.

Abrams has on record Grandmaster Caz detailing hip-hop’s infancy, Edward “Duke Bootee” Fletcher describing the origins of “The Message,” DMC narrating his role in introducing hip-hop to the mainstream, Ice Cube recounting N.W.A’s breakthrough and breakup, Kool Moe Dee recalling his Grammys boycott, and countless more key players. Throughout, Abrams conveys with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music.

The Come Up is an exhilarating behind-the-scenes account of how hip-hop came to rule the world—and an essential contribution to music history.

©2022 Jonathan Abrams (P)2022 Random House Audio
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What the critics say

“A masterpiece in book form. After conducting over 300 interviews over the course of three years, [Jonathan] Abrams has accomplished the incredible feat of detailing the rise of hip-hop straight from the creators of the genre themselves.”—Spin

“Abrams’s beautifully edited book concentrates on hip-hop’s rise, perfectly capturing the excitement of its gathering momentum and regional spread, taking the time to dig deeper than the big names.”The Guardian

“It’s an extraordinary tale, the story of how a grassroots culture created itself from the streets and became an international force. To his credit, Abrams doesn’t just talk to the architects. He also gets input from the stonemasons, the contractors and the other heavy lifters. It’s the oral history hip-hop deserves as its beat goes on.”—Los Angeles Times

What listeners say about The Come Up

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Great overarching history of Hip Hop

Loved it. Some segments were better than others but that may be due to personal bias.

It was hard to hear other voices "voice acting" as the person / artist you are familiar with but once you get past that, it's a good review of the genre I love.

My last notes are that it could go more in depth as so much is missing but taking a step back, you begin to realize that history can be so granular and if every story was told, we'd be here for at least another 19+ hours.

Overall, wery well done.

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