If you thought the world of pro wrestling was wild, imagine what you haven’t seen on TV and in the ring. Add to that the backdrop of building a renegade production company, negotiating with impossible wrestling talent, and hosting groundbreaking, shoot-style programming, and you have the story of Sean Oliver. Sean has seen industry-wide accolades for the company he co-founded and for which he serves as front man. Watch the unpredictable and unconventional story through Sean’s eyes.

There are few people who have been in the wrestling business longer than Jim Ross. Slobberknocker is the story of how an Oklahoman farm kid with a vivid imagination and seemingly unattainable dreams became "The Voice of Wrestling" to record TV audiences and millions of fans around the world. Jim opens up about his life as an only child on a working farm, who became obsessed with professional wrestling having first seen it on his grandparents' TV.

He was the most vicious, bloodthirsty, reviled villain in the history of the ring. During the 1950s, 1960s, and 1970s, he drew record crowds everywhere he went and left a trail of burned and bloody opponents in his wake. But what those legions of fans screaming for his head never knew was that The Sheik was really Eddie Farhat. The son of Arab immigrants, Farhat served his country proudly in World War II and was fulfilling the American dream. When he wasn't screaming unintelligibly and attacking his enemies, he was busy being the owner and operator of World Wide Sports.

He's wrestled as "Stunning" Steve Austin, The Ringmaster, and even his own name, Steve Williams. But to fans he is and will always be Stone Cold Steve Austin. His quick wit and colorful use of language combined with his everyman character captured the hearts of fans worldwide. It was Steve's ability inside the ring and his quick-witted responses that lead to his becoming one of the most popular WWE Superstars of all time.

For decades, wrestling was shrouded in secrecy. It had larger-than-life personalities, bone-crunching physicality and jaw-dropping theatrics, but backstage, it was an industry devoid of outsiders. Then in 1999, after working together on a special for MTV, Dwayne “The Rock” Johnson turned to 26-year-old television writer Brian Gewirtz and asked, “You ever consider writing for WWE?” That question, and its answer, would have a profound effect on both of their lives for years to come. There's Just One Problem is a story about perseverance, tenacity, and steel chairs.