Inspired by the life of Easton’s grandmother, White Mulberry is a rich, deeply moving portrait of a young Korean woman in 1930s Japan who is torn between two worlds and must reclaim her true identity to provide a future for her family.

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat center she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

Fledgling actress Amelia Grant is at rock bottom when offered the opportunity of a lifetime: to star in a biopic about the world-renowned romance author Gloria Diamond, who used her own tragic love story as inspiration for her bestselling books. To prepare for the role, she’ll spend a week with Gloria at her secluded Washington estate. It’s a chance to get out of LA, away from her cheating ex-boyfriend, and to make her recently deceased mother proud.

When buried bones are unearthed by a storm in North Yorkshire’s picturesque coastal town of Whitby, Black is drawn into an investigation that takes him back to the late eighties and the fiery demise of a popular pub. Frank is no stranger to vulnerability. With a shattered daughter, he lives with it. With an outsider in Detective Inspector Gerry Carver, he works with it. And in Charlotte Wilson, a young, eighteen-year-old musician discarded and buried near the old whalebones of Whitby, he recognizes it.

Kathryn Walker enjoys an enviable life. Her husband is an accomplished doctor, her children are bright and successful, and she devotes herself to charity work that uplifts her Suburban Colorado community. Settling into a new year, her life couldn’t be better. . . Until April.

Paris, 1943. The scent of fresh baguettes hangs in the air as Coralie unbolts the door to her bakery with trembling fingers. She must get out of the city. Hiding her precious leather recipe book inside her coat, she promises never to let the secret locations of the people she worked tirelessly to save fall into German hands… Present day. Raven is unhappy about being shipped off to the other side of the country for the summer to stay with the mysterious French grandmother she barely knows.

At birth, Violet and Rose Flowers were identical, save for a tiny bluish-purple mark gracing Violet’s slender neck. By nineteen, their temperaments distinguish them, as different as the flowers their mother named them for—Violet, wild and outgoing, and Rose, solitary and reserved. Still, they are each other’s world. Then, on a sweltering, terrible August night in 1928, an explosion rocks Lamb’s Dance Hall in Possum Flats, Missouri, engulfing it in flames, leaving one twin among the dozens dead, and her sister’s life forever changed.

For decades, Nick Burns has been haunted by a decision he made as a young soldier in World War I, when a French artist he’d befriended thrust both her paintings and her baby into his hands—and disappeared. In 1974, with only months left to live, Nick enlists Jenny, a college dropout desperate for adventure, to help him unravel the mystery. The journey leads them from Paris galleries and provincial towns to a surprising place: the Museum of Tears, the life’s work of a lonely Italian craftsman.

Nothing’s going well for Eve: she’s single, turning forty, stressed at work and anxious about a recent series of increasingly creepy incidents. Most devastatingly, her beloved father died last year, and her family still won’t acknowledge their sorrow. With her younger sister’s wedding rapidly approaching, Eve is on the verge of panic. She can’t bear to attend the event alone. That’s when she recalls a strange story her Yiddish grandmother once told her, about a protector forged of desperation…and Eve, to her own shock, manages to create a golem.

Tig Costello has arrived in Darren, Kentucky, commissioned to paint a portrait honoring her grandfather Benjamin. His contributions to the rural Appalachian town and his unimpeachable war service have made him a local hero. But to Tig, he’s a relative stranger. To find out more about him, Tig wants to talk to the person who knew her grandfather best: Eloise Price, the woman who murdered him fifty years ago.

Everyone knows about the fight between Kathleen Walsh and her sister on the night she disappeared. For six months, no one has heard from Kathleen. Not her bullying husband, not her teenage son, and not her devastated sister Siobhan. But then Kathleen’s purse is found by a walker high up on the rocky Irish sea cliffs. The only thing inside is a torn scrap of paper with the words ‘HELP ME’. For Siobhan, it’s a chance to find her sister and fix the mistake she made six months ago. But not everyone in the tight-knit community welcomes Siobhan’s interest in the disappearance.

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

Months after her mother passes away, artist Tillie Morrisey sees a painting in a gallery that leaves her inexplicably lightheaded and unsteady. When a handsome stranger comes to her aid, their connection is so immediate it seems fated, though Liam is only visiting for a few days. Working on her own art has always been a refuge, but after discovering a document among her mother’s belongings that suggests Tillie’s life has been a lie, she begins to suffer from a series of fugue states, with memories surfacing that she isn’t even sure are her own.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.