Long before the sword-wielding heroes of legend readily cut down forests, slaughtered the old deities, and vanquished their enemies, there were playful gods, animal-headed kings, mischievous lovers, trickster harpists, and vegetal magicians with flowering wands. As eco-feminist scholar Sophie Strand discovered, these wilder, more magical modes of the masculine have always been hidden in plain sight.

Perhaps no figure in biblical scholarship has been the subject of more controversy and debate than Mary Magdalene. Although she is discussed in the gospels of Philip, Thomas, Peter, and Bartholomew in the collection of writings known as the Gnostic gospels that were rejected by the early Christian church, there is no better insight into this mysterious and influential woman than Mary's own gospel.

Before a vision of a mysterious "Lady" invited Clark Strand and Perdita Finn to pray the rosary, they were not only uninterested in becoming Catholic but finished with institutional religion altogether. Their main spiritual concerns were the fate of the planet and the future of their children and grandchildren in an age of ecological collapse. But this Lady barely even referred to the Church and its proscriptions. Instead, she spoke of the miraculous power of the rosary to transform lives and heal the planet, and revealed the secrets within the rosary’s prayers and mysteries.

What if you could live in a world where the guidance of those who were gone was available, right at your very fingertips? It's possible, if we are open to it. Anyone can reclaim the forgotten guidance of the dead, and anyone can return to the realm of magic and miracles. In Take Back the Magic: Conversations with the Unseen World, author, spiritual teacher, and co-founder of The Way of the Rose Perdita Finn reveals that life is beginningless, love is endless, and those who have passed don’t truly go anywhere when they die.

Dr. Clarissa Pinkola Estes, published in 34 languages and one of the most far-reaching artist-psychoanalyists of our time, teaches that in archetypal imagination, "Mother Night is the quintessential medial woman, the woman who can walk in two worlds... 'the one who knows' and who can reveal solid ways of living and unleashing creative life in both worlds."