The Night Country
A Hazel Wood Novel
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Narrated by:
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Rebecca Soler
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James Fouhey
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Written by:
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Melissa Albert
About this listen
"In this sequel to The Hazel Wood, narrator Rebecca Soler returns to breathe life into Alice, who has now escaped from the magical story-fueled world of the Hinterland...Soler's narration brims with Alice's anger and grit, her conflicting emotions spilling into every word." (AudioFile magazine)
"A must-read for fans of portal fantasies, mysteries, and readers who prefer their magic with bloody sharp edges." (Booklist, starred review)
The highly anticipated sequel to Melissa Albert’s beloved New York Times best-selling debut, The Hazel Wood!
In The Night Country, Alice Proserpine dives back into a menacing, mesmerizing world of dark fairy tales and hidden doors. Follow her and Ellery Finch as they learn The Hazel Wood was just the beginning, and that worlds die not with a whimper, but a bang.
With Finch’s help, Alice escaped the Hinterland and her reclusive grandmother’s dark legacy. Now, she and the rest of the dregs of the fairy tale world have washed up in New York City, where Alice is trying to make a new, unmagical life. But something is stalking the Hinterland’s survivors - and she suspects their deaths may have a darker purpose. Meanwhile, in the winking out world of the Hinterland, Finch seeks his own adventure, and - if he can find it - a way back home....
Praise for The Night Country:
"The Night Country is a new modern classic for thrill seekers young and old. A stunning sequel filled with wondrous delights and daring forays into the dark. Not to be missed!" (Kim Liggett, author of The Grace Year)
©2019 Melissa Albert (P)2019 Macmillan AudioWhat listeners say about The Night Country
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Genevieve Paquette
- 2020-01-20
flowery
It wasn't bad. The story was pretty interesting, the ending was nice. The writing, though, ruined it for me. It was excessively flowery. Way too many adjectives, adverbs, similes and metaphors, practically one every line! It was grating and exhausting.
It was also very much a teenage-girl-who-feels-like-an-intellectual-artiste book. Which is fine. There is nothing wrong with that, it's a legit genre and I'm not going to make fun of it, I'm just really not the target audience.
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