A fresh-faced newcomer arrives in an isolated, gang-run town and soon finds herself taking a job nobody else wants: bodyguard to a ghoul. Not just your average mindless, half-rotted shuffler, though. Lucille is a dancer who can still put on her own lipstick and whose shows are half burlesque, half gladiator match. But the stranger is no stranger to this particular ghoul. Both women are undercover in their own way. And both have something to lose if their connection comes to light.

The Fogg River Seminary, a girls’ school in a small Illinois town, is supposed to be just another stop on Maryse and Vasyl’s endless travels. They’ve made lucrative use of Maryse’s “foreign” looks in their melodramatic séance act—and an act is all it is. Then, during their performance, a blizzard sweeps in and cuts them off from town completely. In the freezing halls, there’s a voice speaking the secrets of the dead, and Maryse has no choice but to listen…because this time, the voice is real.

Ever since her dad disappeared five years ago, Persephone has quietly walled off the feelings she’d rather not feel. There’s no room for pain or anger when you’re just trying to get through the hell that is high school. But one day, the crush of taunts and disappointments is finally too much—and a power breaks loose inside her that she never knew was there.

Fifteen years ago, Lęina’s mother, Yuliana, went searching for a mythical place called the Garden and never returned. Determined to learn the truth about what happened, Lęina travels to Brazil to search for the hidden realm, with Yuliana’s journal and a local tour guide leading the way. But Lęina soon begins to wonder if she’s looking for answers—or if what she truly wants to find is herself.

It’s business as usual on the set of another cheap sword-and-sandal production by Pharos Pictures—until the lead actress suddenly falls into a deep, mysterious sleep. Jordan Harper can talk down high-strung starlets and knock sense into stuntmen, but this…this is the kind of uncanny problem that he’d usually bring to Mrs. Hope. Unfortunately, the preternaturally capable secretary is on a business trip with the studio head. Harper must get to the bottom of the mystery on his own before another cast member succumbs—or worse, they blow the budget.

Carolyn's not so different from the other human beings around her. After all, she was a normal American herself once. That was a long time ago, of course - before the time she calls "adoption day", when she and a dozen other children found themselves being raised by a man they learned to call Father.

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

Miryem is the daughter and granddaughter of moneylenders, but her father's inability to collect his debts has left his family on the edge of poverty - until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold. When an ill-advised boast draws the attention of the king of the Staryk - grim fey creatures who seem more ice than flesh - Miryem's fate, and that of two kingdoms, will be forever altered.

The Catenan Republic—the Hierarchy—may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilized society in allowing my strength, my drive, and my focus—what they call Will—to be leeched away and added to the power of those above me, as millions already do. As all must eventually do.

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”