Here, in this second collection of Socratic Dialogues from Plato's Early Period, read by David Rintoul as Socrates with a full cast, are contrasting six works. Often, as with Gorgias, which opens the recording, Socrates combats the popular subjects of sophistry and rhetoric, in direct conversation with Gorgias (a leading sophist teacher), and with one of his pupils, Callicles.

Here are three important but very different Dialogues from the Middle Period. Symposium, the most well-known in this collection, is concerned with the theme of love. In the house of Agathon, a group of friends - each very different in personality and background - meet to consider and discuss various kinds of love. Each one, Phaedrus, Pausanias, Eryximachus, Aristophanes (the playwright) and Agathon (a prize-winning tragic poet), presents his particular view in a short discourse.

Here are the Socratic Dialogues presented as Plato designed them to be - living discussions between friends and protagonists, with the personality of Socrates himself coming alive as he deals with a host of subjects, from justice and inspiration to courage, poetry and the gods. Plato's Socratic Dialogues provide a bedrock for classical Western philosophy. For centuries they have been read, studied and discussed via the flat pages of books, but the ideal medium for them is the spoken word.

The Republic is perhaps the single most important, the most studied and the most quoted text of all of Plato's Socratic Dialogues. Through the medium of Socrates, Plato outlines his view and ideas concerning the ideal working of the city-state. Socrates narrates a conversation that took place the previous day with Cephalus, Glaucon, Thrasymachus and others. The dialogue is organised into 10 books and covers a broad range of topics, including the ideal community and the ideal rulers of the community.

These five very different Socratic Dialogues date from Plato's later period, when he was revisiting his early thoughts and conclusions and showing a willingness for revision. In Timaeus (mainly a monologue read by David Timson in the title role), Plato considers cosmology in terms of the nature and structure of the universe, the ever-changing physical world and the unchanging eternal world. And he proposes a demiurge as a benevolent creator God.

Aristotle’s Nicomachean Ethics and Eudemian Ethics represent, in many ways, the Western classical springboard for the systematic study and implementation of ethics, the optimum behaviour of the individual. (By contrast, Aristotle’s Politics concerns the optimum blueprint for the city-state.) It is in the hands of each individual, he argues in these books on personal ethics, to develop a character which bases a life on virtue, with positive but moderate habits.

Immanuel Kant’s Critique of Pure Reason can lay claim to being the most important single work of modern philosophy, a work whose methodology, if not necessarily always its conclusions, has had a profound influence on almost all subsequent philosophical discourse. In this work Kant addresses, in a groundbreaking elucidation of the nature of reason, the age-old question of philosophy: “How do we know what we know?” and the limits of what it is that we can know with certainty.

Aristotle’s Organon comprises six key essays on logic, initially collected by Theophrastus, his successor as head of the Peripatetic school, and given its final form by Andronicus some three centuries later. The six essays are: Categories, On Interpretation, Prior Analytics, Posterior Analytics, Topics and On Sophistical Refutations. One of the principal topics of Aristotle’s focus is syllogism, in which two premises (one major, one minor) lead to a conclusion. This features in Prior Analytics and On Interpretation.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

Man and His Symbols owes its existence to one of Jung's own dreams. The great psychologist dreamed that his work was understood by a wide public, rather than just by psychiatrists, and therefore he agreed to write and edit this fascinating book. Here, Jung examines the full world of the unconscious, whose language he believed to be the symbols constantly revealed in dreams.