Caroline Bryer is the daughter of a very conservative TSA agent and former military brat, Morgan Bryer. Her mother, Linsey Bryer, is a descendent of the Sutherland real estate family. Their organized, suburban life in Colonie, New York is rigorously regulated and leaves little room for deviation from the norm. When Linsey, Morgan, and Caroline attend the wake of their neighbor Mr. Gleeson, they meet his charming daughter Natalie “Nattie” Gleeson, who works for the American ambassador to France. Linsey and Nattie strike up a fast friendship.

Pru Dunning has everything she ever wanted: a successful boyfriend, a thriving nursing career, and a truly comfortable life. But then the strange voicemails start. Scarletta, the woman calls herself. She seems to know Pru, although Pru certainly doesn't know that name, nor does she recognize the glamorous voice leaving her poisonous messages. Pru begins to carefully investigate. But when she suddenly becomes a person of interest in a murder case, it feels like Scarletta’s toxic voice, lashing out from the shadows, will silence all beauty in Pru’s perfect life, once and for all.

Ever since Fern could remember, she and her mother have lived as servants in Wyndemere House, the old Gothic mansion of the Davenport family. She may have been a servant, but Fern developed a sweet friendship with Dr. Davenport's son, Ryder, and she was even allowed free range of the estate. But Dr. Davenport has remarried, and his new wife has very different ideas about a servant's place. Yet, for all her wrath, the cruel woman cannot break the mysterious bond between Ryder and Fern.

Elle Edwards, who has been told she's a product of her mother's sinful mistake, has never gone to school, never met a teenager her own age, never even been allowed off of her grandparents' property. Convinced that their granddaughter is infected with evil, Myra and Prescott Edwards believe that only the harshest child-rearing methods will prevent Elle from becoming an instrument of the devil.

As identical twins, Haylee and Kaylee Fitzgerald have always done things in exactly the same way. Under their mother's guidance, their every outfit, every meal, and every thought was identical. But now things are different. With Kaylee back at home after her sister's betrayal, her life has been turned inside out. Both her mother and Haylee are away, and Kaylee's alone and more lost than ever.

Emmie Wilcox was only six when her sister, Roxy, was thrown out of their New York City apartment. Their stern father's military style left no room for rebellion, and Roxy was continually defiant and rebellious. Emmie is obedient, respectful. Two sisters, total opposites - yet Emmie is secretly obsessed with the mystery and imposed silence surrounding Roxy. She wants excitement, and being a good girl all the time is harder than it seems. Finally, Emmie goes behind her father's back to track down and spy on the sister she can't help but be fascinated with.

Audrina fiercely desired to be as good as her sister. She knew her father could not love her as he loved that other girl, for her sister was so special, so perfect - and dead. Upstairs in a locked room awaited her sister's clothes and dolls, her animals and games - and her sacred rocking chair. Now Audrina will rock and rock and rock to reclaim all of her gone sister's special gifts.

Alike in every single way...with one dark exception. As identical twins, their mother insists that everything about them be identical: their clothes, their toys, their friends...the number of letters in their names: Haylee Blossom Fitzgerald and Kaylee Blossom Fitzgerald. If one gets a hug, the other must, too. If one gets punished, the other must be, too.

Jealousy, tragedy, survival, and revenge - the discovery of Christopher’s diary in the ruins of Foxworth Hall brings new secrets of the Dollanganger family to light and obsesses a new generation. With Flowers in the Attic and Petals on the Wind both now major Lifetime TV events, this first new addition to the Dollanganger story in nearly 30 years is a timely look at the events in the attic - from teenage Christopher’s point of view.

They were a perfect and beautiful family - until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother.