Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid. The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah’s white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek’s father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy.

Lee Gulliver never thought she’d find herself living on the streets—no one ever does—but when her restaurant fails, and she falls deeper into debt, she leaves her old life behind with nothing but her clothes and her Toyota Corolla. In Seattle, she parks in a secluded spot by the beach to lay low and plan her next move—until early one morning, she sees a sobbing woman throw herself into the ocean. Lee hauls the woman back to the surface, but instead of appreciation, she is met with fury.

In this electric and provocative debut novel, Amber Tamblyn blends genres of poetry, prose, and elements of suspense to give shape to the shocking narratives of victims of sexual violence, mapping the destructive ways in which our society perpetuates rape culture, brilliantly brought to life through a multi-voice performance featuring Glenn Davis, Ben Foster, Marc Maron, Jason Ritter, John Roberts, Russ Tamblyn, Amber Tamblyn, January Lavoy, Phoebe Strole, Robin Miles, Thérèse Plummer, Dan Bittner, James Fouhey, and Michael Crouch.

On a flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing intimate details about themselves. Ted talks about his marriage that’s going stale and his wife, Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start - he the rich businessman, she the artistic free spirit - a contrast that once inflamed their passion but has now become a cliché. But their game turns a little darker when Ted jokes that he could kill Miranda....

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works.