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The Widow of Rose House

A Novel

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The Widow of Rose House

Written by: Diana Biller
Narrated by: Samantha Desz
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About this listen

**A "MOST ANTICIPATED ROMANCE" of 2019 (BookPage)**

A young widow restores a dilapidated mansion with the assistance of a charming, eccentric genius, only to find the house is full of dangerous secrets in this effervescent Gilded Age romantic comedy debut

It’s 1875, and Alva Webster has perfected her stiff upper lip after three years of being pilloried in the presses of two continents over fleeing her abusive husband. Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time.

However, fresh starts aren’t as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her. But Alva doesn’t believe in ghosts. So when the eccentric and brilliant professor Samuel Moore appears and informs her that he can get to the bottom of the mystery that surrounds Liefdehuis, she turns him down flat. She doesn’t need any more complications in her life - especially not a handsome, convention-flouting, scandal-raising one like Sam. Unfortunately, though Alva is loath to admit it, Sam, a pioneer in electric lighting and a member of the nationally-adored Moore family of scientists, is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva’s new home while Sam attempts to unlock Alva’s history - and her heart.

Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeous debut by Diana Biller, with a darkly Victorian Gothic flair and an intrepid and resilient American heroine guaranteed to delight readers.

©2019 Diana Biller (P)2019 Brilliance Publishing, Inc., all rights reserved.
Gothic Historical Historical Fiction Romance Fiction Scary New York Gilded Age Heartfelt
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What the critics say

“Desz captures Alva and Sam's emotional highs and lows with nuances and finesse as the two negotiate their feelings for each other amid the danger and distrust that are their constant companions.” —AudioFile Magazine

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Good with patience

The writing is almost good but the editor failed to improve the insistent use of “s/he said” which is repeated so frequently you’ll need an abundance of patience or frequent breaks from listening to the story. The lead male is initially as annoying as Lorelai Gilmore but grows a bit. Otherwise it’s a good story line and the female lead is refreshing. Narrator is good and easy to listen to.

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