"Feltman slices directly to the core of heartbreak's ugliest moments: the temptation to fall back into patterns, to keep running from intimacy and risks. She evocatively captures the tension between aching to move on and not give up, and how the shattering of one relationship fractures others. Feltman stays away from happy ending conventions and skillfully weaves glimmers of hope and healing throughout, making for a keenly perceptive novel."—Publisher's Weekly

"Writing in alternating first-person chapters, Feltman renders each perspective with moving fidelity to her characters and their interior lives. When Willa worries that 'loving me had an expiration date' or Hesper feels 'radioactive with depression,' there's not a whiff of ironic distance or judgment. It's an impressive feat for any novelist working in the shadow of TV shows like HBO's Girls or novels like Emily Gould's Friendship, which attracted outsized criticism for their depictions of \"unlikable\" young women coming up in the city. The result is a deep and intimate portrait of two queer women in their mid-20s who come of age in New York while navigating-or refusing to navigate-their relationships to privilege, family, identity, and faith. What could be a novel about an intense attraction that falls apart is, in Feltman's hands, a bigger story about how people change us-and how we welcome or resist that change. A moving glimpse into 21st-century queer womanhood."—Kirkus

"Feltman tracing the paths of two young queer women (the titular Willa and Hesper): the rise and fall of their romance, the respective paths they take to mend their broken hearts (leading them to their ancestral lands of Tbilisi, Georgia, and the war sites of Germany) and their reckoning (or refusal to reckon with) their privilege. I'm always here for portrayals of 21st century queer life, and Willa and Hesper looks to be an excellent addition to the genre."—Literary Hub