00:45 - What AI means for copyright today — human authorship requirements, why AI outputs aren’t copyrightable, how training data implicates rights, and the lawsuits shaping the landscape.

04:20 - Legal fights & emerging models — fair use debates, major settlements (like Audio/Suno), and how licensed AI systems may change access for artists and songwriters.

10:36 - Creative risks for songwriters — why AI-assisted lyrics/melodies can destroy copyright claims, dangers of AI masters, and how using AI in co-writes affects splits and ownership.

14:40 - Where it’s all going — future industry expectations, best practices for protecting your art, and why the human element will always remain essential.

The AIMP Nashville Pubcast is a DiMe Collective Production

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00:39 – Katie Kerkhover on exercise, her reMarkable tablet, and planning her day with intention.
02:13 – Tim Reynolds on using ChatGPT, Notion, and dual monitors (including vertical!) to streamline work.
02:56 – Randy Montana on daring to write something stupid, weird, dark, or fun — and why those songs sometimes get cut.
04:39 – Nikki Sanz on Superhuman, the email tool she swears by for managing inbox chaos.
05:23 – Scott Hendricks on the Grado headphones he refuses to work without in the studio.

The AIMP Nashville Pubcast is a DiMe Collective Production

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00:42 – Chris DuBois on being mentally prepared for the ebbs and not taking success for granted.
02:03 – Katie Kerkhover on A&R as a service job and learning to serve artists, producers, and teams.
03:35 – Randy Montana on realizing success doesn’t change who you are — you still have to wake up and do it again.
04:27 – Nikki Sanz on getting comfortable with discomfort and embracing constant growth.
05:27 – Tim Reynolds on staying curious and never stopping the learning process.

The AIMP Nashville Pubcast is a DiMe Collective Production

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00:45 – Katie Kerkhover on keeping creators involved and protected in the future of music.
01:44 – Randy Montana on the widening stylistic lanes in country music.
02:32 – Dave Cohen on a coming resurgence of musicianship and craft-focused songwriting.
03:35 – Scott Hendricks on avoiding trends and keeping blinders on to create timeless work.
04:32 – Tim Reynolds on why he sees an explosion of great music ahead.

The AIMP Nashville Pubcast is a DiMe Collective Production

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

00:33 – Chris DuBois on preventing burnout by separating home life from the music industry.
02:24 – Nikki Sanz on weekly burnout cycles, fitness, faith, and finding healthy outlets.
04:24 – Chris Weier (business manager) on hobbies, hard boundaries, and the importance of staying active.
05:48 – Katie Kerkhover on using a career coach, self-awareness, and knowing when to ask for help.
07:31 – Randy Montana on running, outdoor meditation, and relying on faith to stay grounded.

The AIMP Nashville Pubcast is a DiMe Collective Production

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

01:30 – How Tim Reynolds got his start in music and what led him to Big Machine.

02:30 – What digital marketing actually means at a record label.

03:49 – Who Tim’s key industry relationships are — from DSPs to social platforms.

04:27 – The three pillars of digital marketing: artist content, digital partnerships, and fan relationships.

06:02 – How a digital campaign starts: defining an artist’s brand and voice.

08:12 – Turning creative vision into campaign strategy — how brand pillars become content.

14:45 – Managing artist burnout and focus in a nonstop digital world.

17:35 – Should artists focus on one platform or spread across many?

18:58 – The difference between views and engagement — and which matters most.

21:29 – Advice for artists who struggle with social media and content creation.

The AIMP Nashville Pubcast is a DiMe Collective Production

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

01:27 – Eric’s 30-year journey in music and how he found his way to Empire Nashville.

03:21 – What does a typical day look like for Eric—and how does his dual label/publishing role differ from traditional Nashville models?

04:53 – How Empire approaches publishing: admin, creative, or a hybrid model?

06:09 – Is Empire focused more on artists, songwriters, or a mix of both?

07:27 – How does Empire identify and sign new talent in an ultra-competitive market?

09:15 – Why Empire leans into unique, genre-blending artists like Shaboozey and Kevin Powers.

11:42 – Did Eric know “A Bar Song (Tipsy)” would become a record-breaking hit?

12:43 – The story behind Empire’s newest signing, Kevin Powers, and his connection to Shaboozey.

15:51 – How A&R and publishing have evolved—and what makes Empire’s model different.

18:57 – Competing (or collaborating) with the majors: how Empire views Nashville’s community.

21:42 – Eric’s advice for young songwriters and publishers trying to get noticed by Empire.

The AIMP Nashville Pubcast is a DiMe Collective Production

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

02:01 – Did Randy naturally come into songwriting, or was there a pivotal moment that pushed him toward it?

04:18 – Which came first: pursuing an artist career or focusing on songwriting?

06:10 – How did losing his record deal shape Randy’s career path?

06:54 – How did Randy first connect with Luke Combs, and why has their partnership worked so well?

10:04 – What’s Randy’s process for connecting with artists in the writing room?

12:40 – How does Randy deal with periods of creative drought or “writer’s block”?

15:11 – What does Randy see as the most important role of a publisher in a songwriter’s career?

18:24 – What advice would Randy give to a young writer when considering publisher relationships?

The AIMP Nashville Pubcast is a DiMe Collective Production