Paul White delves into the fun world of modelled guitars, amps and cabs, that cannot only make your songwriting and studio sessions more creative and unique, but can also greatly assist with streamlining live performances.

Chapters
00:00 - Introduction
00:12 - Techniques For Modelling Amps And Cabs
04:22 - Amplifier Cloning
05:49 - Compression To Improve Tonal Quality
07:58 - Adding Room Ambience
09:41 - Cleaning Up The Sound With EQ
10:51 - Guitar Modelling Options
13:05 - Why We Have Split Pickups
16:24 - Non-Guitar Sounds At Your Fingertips
18:12 - Modelled Bass Guitars

#BossVG800 #MODOBass2

Paul White Biog
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.

He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

http://www.cydoniacollective.co.uk/