"Scene Weekly" This week on Scene Weekly, Jonathan and Stephen check into the eerie world of "Motel Movies" with two psychological thrillers that redefine suspense: Alfred Hitchcock’s Psycho (1960) and Christopher Nolan’s Memento (2000). Jonathan argues that Psycho is the ultimate motel nightmare, with its iconic twists, chilling score, and Norman Bates’ haunting performance. Stephen makes the case for Memento, a mind-bending tale of memory and revenge, where the seedy motel setting mirrors the fractured psyche of its protagonist.

"Scene Weekly" This week, Jonathan and Stephen ante up to debate two poker heavyweights: Rounders (1998), the underground grind with Matt Damon, and Casino Royale (2006), Bond’s high-roller showdown. Stephen goes all in on Rounders for its gritty realism and slow-played drama, while Jonathan raises the stakes for Casino Royale, calling its bluffs, bombs, and Bond-level action a royal flush. Who’s holding the winning hand? Shuffle up and listen to find out!

"Scene Weekly" This week, Jonathan and Stephen saddle up to debate two Sergio Leone classics: A Fistful of Dollars (1964) and The Good, the Bad and the Ugly (1966). Which Clint Eastwood-led Spaghetti Western reigns supreme? They’ll compare gritty storytelling, iconic scores, and Leone’s revolutionary style. Tune in for a lively discussion on greed, morality, and the Wild West!